Etching Figurative Prints

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

Tennis is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right margin. ...

Tennis is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist...

Tennis is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist...

Tennis is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist...

Hand-Colored Etching signed in pencil l.m. in Hebrew, l.r. in English. 3/100 Shalom from Yevgeny Abeshaus EUGENE ABESHAUS Leningrad, Russia, b. 1939, d. 2008 Eugene Abeshaus (also ...

Figure and Creek Please note that insitu images are purely an indication of how a piece may look Figure and Creek is a unique contemporary print by Graham Fransella. The warm orange...

Antonio Diaz Cortes (Mexico, 1935) 'Lucina rojo', 2000 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: DIA-108 Hand-signed by author

Alexis Kcho Leiva (Cuba, 1970) 'Canaima II', 2003 silkscreen on paper Canson 320 g. 27.2 x 39.4 in. (69 x 100 cm.) Edition of ID: KCH-117 Unframed

Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...

After The Duel is an etching realized by Pierre Georges Jeanniot in 1920. Good condition on a yellowed cardboard. Signed lower right.

The color etchings that Stanley Whitney produced in 2017 are musical and improvisational with a spectrum of colors created in a grid that reinvigorate the mind and spirit. Each so un...

Landscape is an original etching realized in the early 20th Century by Edmond Cuisinier (1857-1917). Good conditions except for being aged. Monogrammed. The artwork is depicted th...

The Silhouette Profiles - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowl...

Reeds by Phil Greenwood [2021] limited_edition Aquatint Etching Edition number 150 Image size: H:48 cm x W:59.5 cm Complete Size of Unframed Work: H...

Venus and the Sapient is an original etching and drypoint realized by Leo Guida in 1985. Good condition. Mounted on a yellowed cardboard passpartout (50x35 cm). Hand signed and da...

The Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind",...

Portrait is an original etching print realized by Sacha Klerx in 1928. Very good conditions, with some small folding on the edge. Fine and delicate portrait of a seated man created...

Mule is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...

The Magician is an original etching realized by Gaetano Pompa in the 1970s. Good conditions. hand-signed and numbered on the lower left. Edition, 52/75...

The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for some stains. Image Dimensions: 5 x 7 / 8 x 10 cm. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including ...

The Sentinel is an original artwork realized by Charles Courtry in the second half of the 19th Century. Original etching on ivory-colored cardboard. Hand-signed on the lower right ...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...

Mosè di Michelangelo is an original colored etching hand-lithographed on paper, realized in the first half of 20th Century and signed "G. Riccio" on plate. On the bottom right margi...

The Donkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including...

Figures is an original modern artwork realized in 1928 by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original drypoint on paper. Edition of 10 prints. Hand-signed ...

The Wheel is an original modern artwork realized in the first half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original drypoint on paper. Editi...

Quarrel is an original etching on paper realized by Edouard Rosotte (1827-?) after Nicola Poussin. Signed on the plate on the lower right. Witten on the left; Nicolas Poussin (afte...

Image dimensions: 33x38 cm. Interesting colored etching. Hand-signed and numbered with pencil on lower margin by the Italian artist, Raffaele Leomporri. Edition of 100 prints. In ex...

Still Life With Lemons is an original print by the Sicilian artist Renato Guttuso. A high-quality engraving on copper plate. Dimensions: cm 50,2 x 69,8. This wonderful print re...

This Artwork Titlled "Last Year at Marraketch" 1972 is an original color etching and aquatint on B.F.K Rives paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, dedicated and numbered 3/40 in pencil by the artist. The plate mark (image) size is 15.25 x 19.5 inches, sheet size is 21.75 x 29.65 . It is in very good condition. The work of Clinton Blair King is held in many corporate, private collections and museums, among them: The Metropolitan Museum of Art, New York, Museum of New Mexico, Smithsonian Museum of Art, Washington and National Gallery of Art, Washington. About the artist: EDUCATION 2005 MFA Sculpture: School of the Art Institute of Chicago 2000 BFA Painting: Columbus College of Art and Design SOLO EXHIBITIONS 2016 SPECTRAL EVIDENCE, Stellan Holm Gallery, New York City, NY 2015 OPEN ENDED, Transmitter, Brooklyn, NY. 2008 APATHY, Shiraya Art Space, Tokyo Japan​ 2001 FOR THE TIME BEING, Ohio Art League, Columbus, OH GROUP ExHIBITIONS 2017 YELLOW CHAIR, David & Schweitzer Contemporary, Brooklyn, NY DECONSTRUCTED Terrault Gallery, Baltimore MD TRANSCENDENCE OF US, Trans-cen-der space, Brooklyn NY 2016 THIS STRANGE GAME, Landmark Arts Building, Chelsea, NY STONE SOUP NASTY, Orgy Park, Brooklyn, New York, NY COLD SUMMER, Curated by Peter Shear, The Provincial, Chief, Michigan "TIKI" Helper Gallery, NADA art fair, Miami FL 2014 BRUTE MODERATES, with Peter Shear, Firework Gallery, Brooklyn, NY BROOKLYN BRIDGE, Curated by Justine Frischmann. George Lawson Gallery. SF, CA SUDDENLY THERE, Garis and Hahn, Bowery NYC DO IT YOURSELF, Curated by Julie Torres / Julia Schwartz B.O.S. Brooklyn NY LOOK & LISTEN, Curated by Yifat Gat. Espace Art / Galerie & Ateliers. Marseille France SORRY I"M LATE, Brooklyn Fireproof. Brooklyn NY. 2013 WHAT I LIKE ABOUT YOU, Parallel Art space, Brooklyn, NY DONUT MUFFIN Dorsky Gallery, Long Island City, NYC 2012 ART BLOG "LOVE", One River Gallery, Englewood NJ BUSHWICK BASEL, Jules de Balincourt Studio, Brooklyn NY. ALTER MINIMAL, Lexicon Series Vol. 1, Parallel Art Space, Brooklyn, NY HIATUS, Urban Institute For Contemporary Art, Grand Rapids, MI 2011 I CAN"T GO ON I MUST GO ON, Tempus Projects, Tampa, FL. VIS -A -VIS, Backyard Projects- New York, NY NEITHER A BEGINNING OR END, Possible Projects, Philadelphia, PA 2010 A VAUGE WHOLE, Spaces, with Benjamin Bellas and Steffani Jemison Cleveland, OH 2009 i.e. ARTIST COLLECTIVE, University of Green Bay, WI i.e. ARTIST COLLECTIVE, Boots Contemporary, St. Louis, MO 2008 FLAT BLACK , Zaim Space, Yokohama, Japan. i.e.llusions, Alogon Gallery, Chicago, IL 2007 i.e. BETWEEN, Harold Washington College, Chicago, IL SPLIT ENDS, with Julie Curtiss...

Dorothea e la biscia (Dorothea and the Serpent) is an original color etching, realized in 1963 by the Italian contemporary master, Gaetano Pompa. Image dimensions: 64 x 49.5 cm. H...

Graham Fransella, Etching Head on Orange 176 x 148 4 separate Prints to make the one image

Image dimensions: 13 x 8 cm. Colombine is an original etching realized during the XIX century by an anonymous artist. The artwork is printed by Delatre, Paris (as reported on the l...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x41. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Image dimensions: 9.5x8 cm Original rare Ex Libris by Michel Fingesten. Hand signed in pencil. Includes Passepartout. Very good conditions. Michel Fingesten Michel Finkelstein, kno...

Image dimensions: 10.5x8.5 cm Original Ex Libris includes passpartout. Hand signed and signed on plate. Very good conditions. Michel Fingesten Michel Finkelstein, known as Fingeste...

Image dimensions: 11x9 cm Rare and beautiful ex libris realized by Michel Fingesten in the 1930s. Signed in pencil lower right. Includes passepartout. Very good conditions. Michel...

Image dimensions: 19x10 cm Original rare Ex Libris by Michel Fingesten; includes passpartout. Hand signed in pencil. Michel Fingesten Michel Finkelstein, known as Fingesten, was b...

"L'Etendard De La Vigilance" is an original etching and serigraph by Joel Cazaux. The artist signed the piece lower right, and wrote the edition number 38/100 in the lower left, and ...

Graham Fransella Figure and Creek (etching) 88 x 140 cm

Signed aquatint etching by Raoul Varin of Chicago in 1833. On August 12, 1833, the Town of Chicago was organized with a population of about 200 and stood on the American frontie...

Hans BELLMER Woman Original Etching Hand-Signed Edition: 108 / 150 Dimensions: 51 x 38 cm Circa 1970 Hans Bellmer was born in Kattowitz in 1902. At his father's insistence, he worked in a steel factory and a coal mine after finishing the examinations qualifying for university admittance. Nevertheless, Bellmer managed to do some art work and exhibit it in Poland in 1922/23. The work led to his arrest. While studying engineering at Berlin Polytechnic, Hans Bellmer met John Heartfield, Rudolf Schlichter and George Grosz. In 1924 Bellmer dropped out of engineering, worked as a book printer and then as an illustrator for Malik Verlag. That winter Bellmer took his first trip to Paris. After his marriage in 1927, Hans Bellmer worked as a commercial artist, attended lectures at the Bauhaus in the early 1930s and travelled to Italy and Tunisia. He refused to continue working as a sign of resistance to Fascism in 1933. To show his repudiation of Fascism and the aesthetic it propagated, Hans Bellmer began to construct girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, others appeared in the Surrealist journal "Le Minotaure", ensuring Bellmer important ranking among Paris Surrealists...