Metal Figurative Prints

Libra, by Deming King Harriman; collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

Takashi Murakami - COLORFUL, MIRACLE, SPARKLE Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 207/300 Size: 71 cm ...

Artist: Mel Ramos, American (1935 - 2018) Title: Photoshop CS (Michelle Pfeiffer) Year: 2008 Medium: Enamel on Steel, signed and numbered in marker ...

A three-dimensional lithograph mounted on cardboard with genuine gold-leaf detail by Mel Ramos from 2015. A woman's figure in seductive pose wearing iconic psychedelic printed pants ...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

This Edition is one of the Summer Bloom series Shizico Yi started in 2022. Veronica and Hydrangea (in the painting) are the summer elements in her garden, Shizico cultivated these de...

Giulietta is an Art Deco depiction of a woman posing in a long gown against a plain black background. Around her, ghostly hands rise up offering beautiful temptations for her to cons...

Alkyd on cut out steel. Hand signed, titled, dated and numbered on verso by the artist. Edition 11/25 ( there were also 6 artist's proofs). Co-published by the artist and Sidney J...

Embossed lithograph with foil stamping on paper. Hand signed lower right by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticity inc...

Artist: Erté Title: Aphrodite Year: 1985 Medium: Embossed Serigraph with foil stamping, signed and numbered in pencil Edition: 185/300 Image Size: 32 x 22.5 inches Size: 35.5 x 25.5 ...

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

In my creation, I blend feline grace with human poise, evoking a deep, mysterious bond. The gold-hued backdrop and floral whispers balance solemn black cats, symbolizing unity amid d...

Genre: Israeli Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

Lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 350. Artwork is in excellent condition. Certificate of authenticity included. A...

FLOWER BALL - BURNING BLOOD Date of creation: 2018 Medium: Offset lithograph with silver and high gloss varnishing on paper Edition number: 30/300 Size: 71 cm Ø Condition: In mint co...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

This print is a series of 60, and it has a silver leaf on the moons. This edition is special in its color since the artist doesn't usually work with a green palette but this piece wa...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes ...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Alkyd on cut out steel. Hand signed, titled, dated and numbered on verso by the artist. Edition 24/25 ( there were also 6 artist's proofs). Published by the artist and Éditions de...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 300. Artwork is in excellent condition. Certificate of authenticity in...

After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250, Siz...

Lithograph on foil movie poster for the musical western movie "Paint Your Wagon" designed by Peter Max. These posters were distributed to exhibitors show...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

"Cone Shell after Rembrandt AP" (2015) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally k...

Embossed print after Braque, based on his sculpture by the same name. Embossed in the print paper is "'Cephale', Hommage aux bijoux de braque, or fin 23 carat, sculpt heger de Lowen...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Edition of 125 40 colour screenprint with hand applied 24-carat gold leaf on Somerset Tub Sized Satin White 410gsm. 76 x 60 cm (29.9 x 23.6 in) Signed and dated by the artist Chris...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Robert Indiana FALCO Dance Company (Hand Signed/Dedicated), 1968 Silkscreen on metallic and wove paper Hand signed by Robert Indiana with personal inscription on the front Unframed T...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

Artist: Erté Title: Freedom and Captivity Year: 1982 Medium: Serigraph with Foil Stamping, Signed and Numbered in Pencil Edition: AP 57/70 Image Size: 25.5 x 18 inches Size: 32.75 x...

St Pauls, Pop Art Pink By Michael Wallner [2020] limited_edition Brushed aluminium Edition number 25 Image size: H:66 cm x W:91 cm Complete Size of Unframed Work: H:66 cm x W:91 cm ...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Artist: Erte Title: Top Hats Size: 16 x 12 Inches (26 x 22 Inches Framed) Medium: 3D Bronze Wall Relief Sculpture Edition: of 375 Year...

On NFTs. Art Edition No. 1–100, Osinachi ‘The Other Pool Day’ NFT; pigment print on Hahnemühle paper, 18.2 x 24.9 in., numbered and signed by the artist; hardcover volume in stainles...

Pedro Friedeberg is a radial artist who throughout his career has always been at the forefront, as in the Renaissance and pre-Raphaelite art of the 19th century...

Andy Warhol Flowers, 1980 Enamel on porcelain Edition of 49 51 x 51 x 2 cm (20 x 20 x 0.7 in) In wooden box. Screenprint on porcelain in wooden frame signed in the glazing, numbered on label verso In mind condition. The piece is offered unframed. Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognised. The 1964 Flower series became one of his most iconic and successful works.
 Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colours, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colours of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

Tristan Eaton SpaceX Silver Foil Print Art Human Kind set 2 print Silver Paper Set each print signed by Tristan Eaton 18 by 12 inches each Elon Musk commiss...

View From The Tate [2018] limited_edition Brushed aluminium Edition number 25 Image size: H:84 cm x W:137 cm Complete Size of Unframed Work: H:84 cm x W:137 cm x D:0.3cm Sold Unfram...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Carrying Fruit Medium: Silkscreen, signed in pencil Edition: EA Size: 47 x 20.5 in. (119.38 x 52.07 cm)

Denning is best known for his bronze figurative sculptures and his watercolors on paper. This work, Snow Crow, is a dye sublimation transfer on aluminum with a gloss finish. Denning ...

Michael Wallner – Little London: Primrose Hill, 18 x 25 x 3 cm approx, framed brushed aluminium print, edition of 30. A view of the London skyline taken...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

Lithograph with foil stamping and embossing on paper. Hand signed and numbered by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticit...

Complete Stone Heads Portfolio. Consists of 4 slabs made of limestone inlaid with patinated bronze and 4 slabs made of slate inlaid with anodised aluminum. ...

Richard Berner, M0000N (Signed) Giclee print on 330gsm Somerset Paper. Handfinished with 24c gold leaf detailing 50 x 50 cm (19.69 x 19.69 in) Signed by the artist Edition of 25

Michael Wallner, Little London: St Paul’s (aqua blue), framed brushed aluminium print, 25 x 18 x 3 cm approx, limited edition of 30. I love the beautiful lines, shapes and intricate patterns in the dome of London’s most famous cathedral. This piece of art is created from my original photograph, digitally manipulated to trace the dome’s outlines and coloured by hand on a graphics tablet. The image is then printed directly on a small piece of brushed aluminium, which gives the piece an etched appearance. The design of the dome itself appear as aluminium lines. The metal print is floated in hand-painted waxed wood frame. The piece is from my Little London collection: “Celebrate the Big Smoke...

Artist: Matteo Negri, Italian (1982 - ) Title: Lego (Blue) Year: 2009 Medium: Aquatint Etching with Gold Leaf, Signed and numbered in pencil Edition: PA Image Size: 23.5 x 23.5 ...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. AP edition of 450. Artwork is in excellent condition. Certificate of authenticity included...

Dali -De Draeger, Portfolio by Max Gérard Luxury edition inside special packaged box bearing a cover with “soft melting pocket watch” and bronze medal of “L'Unicorne Dyonisiaque” minted and numbered by Monnaie de Paris...