Screen Figurative Prints

Julian Opie, Woman Taking Off Man’s Shirt, 2003 3-colour silkscreen print on woven paper 23.75 x 39.5 in (60 x 100 cm) Unknown edition...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. 93 from the edition of 100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Fra...

This is an image that Romero created to depict the palateros, or ice-cream men, being arrested in Echo Park for not having vendor permits. Many of his works touched on social justice...

Edition of 125 40 colour screenprint with hand applied 24-carat gold leaf on Somerset Tub Sized Satin White 410gsm. 76 x 60 cm (29.9 x 23.6 in) Signed and dated by the artist Chris...

Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the rever...

Silkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...

David Shrigley (English, b. 1968) To Hell With Zoos, 2021 Medium: 8 colour screenprint with a varnish overlay, on Somerset Satin Tub sized 410 gsm Dimensions: 75 x 56 cm Edition of 1...

Original Continental Airlines travel poster. Linen backed in fine condition. Signed and numbered 35/50. This original Continental Airlines poster is an artistic representation of regional destinations prominently served by Continental Airlines in the past. The design is modern and bold, showcasing a unique black-and-white theme with strong, futuristic typography and graphical illustrations. Each city is creatively depicted using stylized imagery that resonates with its character—Oklahoma City features a cowboy motif, New Orleans embraces a jazzy, cultural essence, Dallas reflects the energy of movement, and Midland/Odessa highlights industrial and oil-centric themes. This limited-edition poster is printed in black and white. It features the destinations of Hawaii, San Francisco, Albuquerque and Portland Above each name is a design that represents each destination city. Hawaii has rows of palm trees and hula dancers. San Francisco has rolling hills and cable cars. Albuquerque has tribal Indians dancing. Portland has the cruise shipping. This image features the Saul Bass l967 Continental logo in the design. Continental Airlines was a major United States airline founded in 1934 and eventually headquartered in Houston, Texas. The airline was acquired by UAL Corporation, the parent company of United Airlines, on October 1, 2010. This is an original vintage Continental Airlines poster...

Original Les Codes de CHANEL Poster – Pink Fashion Wall Art, Modern Luxury Décor, Iconic Designer Brand Print for Bedroom, Living Room, Glam Office poster. Archival linen backed in...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Reference: Feldman-Schellmann, II.127. Signature and edit...

4 colour screenprint on Somerset Tub Sized 410gsm paper Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process Sinc...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

Yvon TAILLANDIER The Aeroplane, 1984 Original screen print Handsigned in pencil Justified E.A (Artist's proof) On paper 64 x 45 cm (c. 25.1 x 17.7 in) Very good condition, slight...

Screenprint in colors on wove paper. Hand signed, dated and numbered 'AP' by the artist (main edition of 150 plus 10 artist proofs made). Image size 19.5 x 37 inches. Sheet size 25.7...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

Icarus is an original colored print realized in the 1970s after Henri Matisse. Original colored serigraph. Very good conditions. The artwork is from an original artwork realized b...

Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Ser...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Jurgen Kuhl Brandenburg Gate (Red, Teal Hues - Brandenburger Tor) Color Silk Screen Year: 2000s Size: 7.4×5.3in COA provided Ref.: 924802-1181 About ...

Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size: 11 .5 x 14.75 inches. Sheet size: 13.5 x 16.5 inches. Publishe...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

"Shiny Nude" by Tom Wesselmann, published by Parasol Press LTD. and printed by A. Colish Press, stands out for its glossy finish and vibrant depiction of th...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

Visually, the design evokes a king playing card, reinterpreted through a Mesoamerican lens: Mayan‑style figures, swords, clouds, and other symbolic motifs are composed in a richly gr...

This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...

Biagio Civale, Italian/American (1936 - ) - Middle East North African Scene, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 23/60, Size: 19.5 in. x 27.5 in. (49.53 c...

Roby Dwi Antono - Epic Fight (Deluxe) Date of creation: 2021 Medium: Fine art print on Canson Aquarelle Paper with deckle edges Edition: 50 Size: 106.6 x 76.2 cm Condition: In perfe...

Screen print in colors on paper. Hand signed and dated lower front by Andy Warhol. Only 100 were hand signed. Artwork size 37 x 39 inches. Frame size approx 44 x 46 inches. This...

Damien Hirst - THE EMPRESSES - SUIKO Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 1191/3310 (1.657 ph...

Jasper Johns Target with Four Faces (ULAE 55), 1968 Silkscreen in colors on Rives BFK wove paper Signed and dated in red ink and numbered 53/100 (total edition includes ten artist's ...

Jonas Wood (American, b. 1977) Bonsai, 2021 Medium: 13-color screen print on rising museum board Dimensions: 71.1 × 58.4 cm (28 × 23 in) Edition of 200: Hand-signed and numbered

The lithograph titled "Gay Sexuality" by Kees Ruyter, measuring 33 x 23.25 inches, explicitly addresses themes related to gay sexuality, as indicated by its title. While specific det...

This artwork titled "Daughters" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 72/...

Color screenprint on paper. Signed by the artist in pencil, lower right. Numbered 71/200 in pencil, lower left. Catalogue raisonne refernece: Gelburd/Rosenberg 59. Framed d...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the rever...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum. Baj was an Italian artist best k...

This artwork titled "Sophia Relaxes" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed in black ink and numbered 52/125 in...

R.B. Kitaj (British American 1932-2007) Hand signed and numbered Screenprint This is from the Robert Creeley daybook. They were done in a variety of mixed media including serigraph, ...

Leon Bibel, 'Abstract Boats', color serigraph, 1938, edition 12. Signed, dated, and numbered ' /12' in pencil. A fine, painterly impression, with fresh colors, on buff wove paper; t...

This striking contemporary abstract serigraph by Eyvind Earle (1916-2000) is entitled "Eucalyptus Forest". It depicts a stylized scene of cloud like trees with a radiating pattern in the foreground, possibly tilled fields. It is signed in pencil in the lower right and numbered in pencil 119/267 in the lower left. This colorful print is presented in a glossy black wood frame with a French mat...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Artist: Mimmo Rotella Title: Top Gun Year: 2004 Medium: Serigraph with Collage, signed l.r. Edition: AP Size: 38 x 28 inches / 100 x 70 cm

This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 109/150 in pencil by the artist. The image size is 24 x 24 inches, framed size is 39.5 x 38.5 inches. Custom framed in a wooden gold frame, with green fabric matting, gold color bevel and three different colors fillet. It is in excellent condition, the frame have some minor restorations, barely visible. About the artist. Margaret D. H. Keane was born 1927 in Tennessee, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. She later became one of Jehovah's Witnesses, which she said changed her life for the better. In the 1960s, Margaret Keane's artwork was sold under the name of her husband, Walter Keane. He locked her in a room and forced her to paint,while taking credit for her work. Conflict over that issue was cited as one of the reasons they divorced. Neither wanting to relinquish rights to the artwork, Walter and Margaret's divorce proceedings went all the way to federal court. At the hearing, Margaret created a painting in front of the judge to prove that she was the artist. Walter declined to paint before the court, citing a sore shoulder. In 1986, the courts sided with her, enabling her to paint under her own name. Her works while living in her husband's shadow tended to depict sad children in a dark setting, but after divorcing, moving to Hawaii, and becoming one of Jehovah's Witnesses, her paintings took on a happier, brighter style. Keane is a fixture in popular culture. Some of her well-known fans over the years have included actresses Joan Crawford and Natalie Wood, whom she painted portraits of; filmmaker Tim Burton, who commissioned Keane to paint Lisa Marie; and animator Craig McCracken, whose characters the Powerpuff Girls are based on Keane's 'waifs'; additionally the Girls' schoolteacher is named "Ms. Keane". Cultural references • The American television comedy show Saturday Night Live once had a skit that featured her work, during the time when it was thought to be by her husband, as a parody of the reaction against modern art (e.g., Cubism or the New York Armory Show). "People don't look like that!" one comedian shrieks, before the picture in question was shown to the camera and audience as the punch line. • In Woody Allen's 1973 comedy Sleeper, the people of the future consider Keane to be one of the greatest artists in history, one of many references mocking the popular culture of the seventies. • Late Night with Conan O'Brien has "bumper" art in her style depicting a glum Conan O'Brien at his desk, next to a dog. • Weird Al Yankovic's song Velvet Elvis, in which the narrator says he needs "no pictures of Mexican kids with those really big eyes or dogs playing poker". • In season 3, episode 20 of 90210 (Women on the Verge), Annie is described as looking "like a Keane painting...

"Olivia 2" by Alex Katz (2025) is a striking multicolored screen print on Museum quality fine art paper, signed and numbered in a limited edition of 50, showcasing Katz's iconic styl...

Artist: Mr. Brainwash Title: Vintage Mona Lisa Medium: Screenprint Date: 2009 Edition: PP 3/5 (aside from the edition of 35) Image Size: 28" x 20" Sheet Size: 30" x 22 1/2" Frame Si...

Serigraph by Mexican painter Rafael Coronel. Edition 5 of 100. Certificate of authenticity included.

Artist: Keith Haring Title: Andy Mouse: Plate 2 Medium: Silkscreen Date: 1986 Edition: 2/30 Sheet Size: 38" x 38" Signature: Hand signed and dated by the artist (K. Haring '86) and t...

This artwork titled "Casual Dinning" from the suite "Memories Retrospective" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand si...

This artwork titled "Metropolitan Opera, New York City, Premiere" 1980 is an original colors serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbere...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Artist: Peter Max, German/American (1937 - ) Title: Saturn Messenger Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: HC 11 Image...

Mr. Brainwash Love Catcher - Blue, 2023 Screenprint on Archival paper 22 × 22 in 55.9 × 55.9 cm Frame included Edition 30 of 75 Mr. Brainwash, the pseudonym of Thierry Guetta, is a...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Enrico Baj - American Ballet - Polymaterial Screen, 1973 Additional Information: Material: Mixed media polymaterial color screen printing on paper with applications and glitter, col...

"Olivia 1" by Alex Katz (2025) is a striking multicolored screen print on Museum quality fine art paper, signed and numbered in a limited edition of 50, showcasing Katz's iconic styl...

Buy now with ShopPay Buy with More payment options Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Ed...