Stencil Figurative Prints

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled The Basket, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published b...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Autoportrait (Self-Portrait), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flowe...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

This exquisite lithograph and pochoir after Georges Rouault (1871–19558), titled Delphine (Delphine), from the album Georges Rouault, Visages (Faces), originates from the 1969 editio...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Camille (Camille), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

Composition is an Original Pochoir from "Le Bonheur du Jour" realized by Georges Barbier in 1929. Good condition. The artwork represents the mastery of the artist and his use of ha...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau), originates from the 1930 edition published by Editions du Signe, Paris, printed by Maitres-Imprimeurs, Ducros et Colas, Paris, and hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930. The work reflects Cocteaus mastery of linear elegance and psychological nuance, distilling intimacy, vulnerability, and symbolic clarity into a composition that occupies a pivotal place in early twentieth-century modernism and queer cultural history. Executed as a lithograph and pochoir with hand coloring on velin d'Arches paper, this work measures 11.81 x 9.06 inches. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Ducros and Colas, Maitres-Imprimeurs, and the exceptional hand-coloring attributed to Cocteau himself. ARTWORK DETAILS Artist: After Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau) Year: 1930 Medium: Lithograph and pochoir with hand coloring on velin d'Arches paper Size: 11.81 x 9.06 inches Inscription: Unsigned and unnumbered, as issued Publisher: Editions du Signe, Paris Printer: Maitres-Imprimeurs, Ducros et Colas, Paris Catalogue Raisonne References: Bezit, Emmanuel. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Gründ, 1976, vol. 3, p. 744. Carteret, Leon. Le Tresor du Bibliophile: Livres Illustres Modernes, 1875–1945. Editions Carteret, 1958, vol. 5, p. 51. van der Veen, H. In Liefde Verzameld: Homoseksualiteit en de Nederlandse Literatuur. De Buitenkant, 1992, no. 136. Monod, Luc. Manuel de Lamateur de Livres Illustres Modernes: 1875–1975. Ides & Calendes, 1992, no. 2912. Condition: Well preserved, consistent with age and medium Provenance: From the album Le Livre blanc, published by Editions du Signe, Paris; printed by Ducros et Colas, Paris; hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930 NOTES Excerpted from the album (translated from French), This album, whose plates have been entirely colored by hand by M.B. Armington, an artist-painter, was completed to print on May 10, 1930, by Ducros and Colas, Maitres-Imprimeurs in Paris. The draw has been limited to: XVIII examples on japon nacre, each containing one of the XVIII original drawings and a suite on Hollande, numbered from I to XVIII; VI examples, H.C., marked from A to F; XVIII examples on japon imperial, numbered from XIX to XXXVI; VI examples, H.C., marked from G to L; CCCLXXX examples on velin d'Arches, numbered from XXXVII to CDXVI; XXII examples, H.C., marked from A to V. ABOUT THE PUBLICATION Le Livre blanc (The White Book), published in 1930 by Editions du Signe with plates printed by Ducros et Colas and hand colored by the enigmatic M.B. Armington (likely Cocteau himself), occupies a singular and foundational place in the history of LGBTQ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Lecture (The Reading), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, 1...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Buches (The Logs), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, 13 W...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph after Jacques Villon (1875–1963), titled Couverture (Cover), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1956 e...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Ready to dance is an original pouchoir on ivory-colored paper glued on cardboard, realized by Anonymous Artist of the 20th Century, in 1920. In excellent conditions: as good as new....

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Gen Paul (1895–1975), titled Le Quart du Tourlourou (The Soldier’s Ration), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), origi...

Capricho de Goya n°7 is an héliogravure and stencil, realized in 1977, hand-signed and numbered n°125/200. Published by Berggruen Paris in 1977. Image dimensions: 21x15 cm. Incl...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled Une vigne de la doulce France (A Vineyard of Sweet France), from the folio Vins, Fleurs et Flammes (Wines, Flowe...

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 2, from the suite of 10 lithographs, Tr...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled La Vigne de Paris (The Vineyard of Paris), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Max Jacob (1876–1944), titled Le vin de la Cene (The Wine of the Last Supper), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), or...

This exquisite lithograph after Leonard Tsuguharu Foujita (1886–1968), titled Garden Party, from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1...

Poison Apple 2 - Gold Edition: Available for the first time as a screen print edition, Poison Apple 2.0 marks 5 years of the original exhibition at Dismaland....

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an original artwork realized in 1929 cover of the homonymous suite of pochoir realized b...

GAMY and MONTAUT, Ernest. La Voiture Th. Schneider, 1912 gagne à Dieppe Dinant et à la Sarthe vitesse et régularité / Magneto Bosch Corburateur Claudel Roues Riley. Mabileau & Co., ...

This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...

Stencil The work signed in the plate 24.00 cm. x 35.00 cm. 9.45 in. x 13.78 in. (image) 42.50 cm. x 53.00 cm. 16.73 in. x 20.87 in. (frame) LCD5581

Amusing original colored lithograph with pouchoir details, representing a father talking to his daughter. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 12, from the series, Soins Tyranniques, Aubert and C.ie, Paris. Signed on plate, on lower-left margin. With the printed capture on lower margin: "Chère enfant, tu es en âge de te marier, l'agitation de ton ésprit, tes émotions inquiètes et vagues; tout m'annonce que ton coeur s'épanouit..... J'ai fait pour toi...

Amusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...

Three Models is an original lithograph realized by Paul Iribe, signed. Sheet dimension: 31,5 x 27,5 cm. With Passepartout dimension : 69 x 49 cm. In excellent condition. Here the...

GAMY and MONTAUT, Ernest. Cycles Motos Alcyon. [Paris: Mabileau & Co., c. 1914]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm. The Gamy-Montaut ...

Pochoir. This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. Passepartout included : 34 x 49 cm

Miroir de Paris n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...

Società Fratellanza Italiana is a beautiful historical document to confer to the General Giuseppe Garibaldi the honorary presidency of the Italian Brotherhood Society in 1881. A lo...

Amusing original colored lithograph with pouchoir details. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 10, from the series Souvenirs Grotesque...

Virgin Mary with child Jesus is a wonderful black and white gouache on cardboard realized by Henri Joseph Dubouchet (1833-1909). This touching ...

Robe Grise Pochoir (silk screen) printed in colors, 1923 Signed by the artist in pencil lower right (see photo) The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Two spots in the upper left corner associated with the printing. Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...

Martin Luther King Artists: Yerena, Ernesto Year: 2021 Class: Art Print Released: 01/16/21 Technique: Original Mixed Media Paper: 100% Cotton Rag Size: 26 X 20 Markings: Signed & Numbered About: Ernesto Yerena...

Artist: Corneille, Belgian (1922 - 2010) Title: China Suite I Year: 2004 Medium: Terragraph on Canvas, signed and numbered in ink Edition: 31/120 Images Size: 18 x 18 inches Canvas ...

Poison Apple 2 - Midnight Green Edition: Available for the first time as a screen print edition, Poison Apple 2.0 marks 5 years of the original exhibition at D...

Stencil The work signed in the plate 20.50 cm. x 32.50 cm. 8.07 in. x 12.8 in. (image) 41.00 cm. x 52.00 cm. 16.14 in. x 20.47 in. (frame) LCD5582

Artist: Grace Graupe-Pillard, American Title: Plates of Light Year: 1991 Medium: Cut-out Silhouette Lithograph, signed and numbered in pencil Edition: 30/30 Size: 45 x 33 in. (114.3 ...

God, Time, Space, and the Pope – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 667; Field 74-8 Plate I Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel...