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Max LiebermannDutch Girls Holländische Mädchen - German Impressionism Dutch Girls1910-12
1910-12
About the Item
This woodcut is hand signed in pencil by the artist “Liebermann” at the lower left margin.
This is a proof prepared for a Liebermann book.
It is one of twelve compositions that were due to be published by Paul Cassirer, but the project was never realised, and a small number of the woodcuts were signed by Liebermann.
Literature: Schiefler, G. (1991). Max Liebermann: Sein Graphisches Werk: The graphic work 1876-1923. San Francisco: Alan Wofsy Fine Arts.
Reference: Schiefler IX
Condition: Very good condition. Very pale, unobtrusive staining around the image. Pinholes in each corner originating in the printing process.
- Creator:Max Liebermann (1847 - 1935, German)
- Creation Year:1910-12
- Dimensions:Height: 4.34 in (11 cm)Width: 6.3 in (16 cm)
- More Editions & Sizes:Unknown EditionPrice: $800
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU18016417102
Max Liebermann
Max Liebermann (Berlin, 1847 - 1935) was a German painter, graphic artist, pastelist and illustrator. A transition from realism to impressionism is visible in his work.
In 1871 he visited the studio of the Hungarian painter Mihály Munkácsy in Düsseldorf, whose work made a great impression on Liebermann. He then makes a short trip to the Netherlands. In December 1873 he went to Paris. He met Munkácsy, Troyon, Daubigny, Corot, Millet and Manet. In the Louvre he devoted himself to the study of the Dutch masters.
In 1920 he was appointed president of the Preußische Akademie der Künste. In 1933, Hitler was elected Chancellor of Germany. Because of his Jewish background, Liebermann resigned as honorary president of the Preußische Akademie der Künste. He then joined the newly founded Kulturbund Deutscher Juden and gave financial support to young Jews who wanted to flee to Palestine. In the last years of his life, Liebermann was shunned by the German artist community.
Liebermann was active for more than sixty years and made about 1200 oil paintings. For years, Liebermann was called the "apostle of ugliness." Yet he was groundbreaking and avant-garde. The real impressionist work did not come until the end of 1900. In the Netherlands he was inspired by the wide landscapes, the sea and the beach.
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