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Max LiebermannThe Goatherd Ziegenhirtin, 1891 - German Impressionism1891
1891
About the Item
MAX LIEBERMANN 1847-1935
Berlin 1847-1935 (German)
Title: The Goatherd Ziegenhirtin, 1891
Technique: Original Hand Signed Etching on Japan Paper
Paper size: 18 x 23.8 cm. / 7.1 x 9.4 in.
Image size: 17.9 x 23.9 cm. / 7 x 9.4 in.
Additional Information: This original etching is hand signed in pencil by the artist “Liebermann” at the lower right margin.
It is one of eighteen compositions that were published by Berlin Photographische Gesellschaft in 1893.
Note:
The composition is similar to a pastel currently held in the collection of The Hermitage. Another impression of this etching, gifted directly from the artist, is part of the British Museum’s collection.
Literature: Schiefler, G. (1991). Max Liebermann: Sein Graphisches Werk: The graphic work 1876-1923. San Francisco: Alan Wofsy Fine Arts.
Reference: Schiefler 20
- Creator:Max Liebermann (1847 - 1935, German)
- Creation Year:1891
- Dimensions:Height: 7.09 in (18 cm)Width: 9.38 in (23.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1809610712
Max Liebermann
Max Liebermann (Berlin, 1847 - 1935) was a German painter, graphic artist, pastelist and illustrator. A transition from realism to impressionism is visible in his work.
In 1871 he visited the studio of the Hungarian painter Mihály Munkácsy in Düsseldorf, whose work made a great impression on Liebermann. He then makes a short trip to the Netherlands. In December 1873 he went to Paris. He met Munkácsy, Troyon, Daubigny, Corot, Millet and Manet. In the Louvre he devoted himself to the study of the Dutch masters.
In 1920 he was appointed president of the Preußische Akademie der Künste. In 1933, Hitler was elected Chancellor of Germany. Because of his Jewish background, Liebermann resigned as honorary president of the Preußische Akademie der Künste. He then joined the newly founded Kulturbund Deutscher Juden and gave financial support to young Jews who wanted to flee to Palestine. In the last years of his life, Liebermann was shunned by the German artist community.
Liebermann was active for more than sixty years and made about 1200 oil paintings. For years, Liebermann was called the "apostle of ugliness." Yet he was groundbreaking and avant-garde. The real impressionist work did not come until the end of 1900. In the Netherlands he was inspired by the wide landscapes, the sea and the beach.
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