Items Similar to Invitation to Your Excellency to the Exhibition of the last Artworks

Michel Fingesten - Bundle of 22 Ex Libris by Michel Fingesten

Michel Fingesten - Ex Libris - Etching by Michel Fingesten - 1930s

Franco Gentilini - Sans titre, Société internationale d'art XXe siècle

Bele Bachem - Sanft bis zur letzten Rasur (I. Fassung)

André Masson - Masson, Le départ, Souvenirs et portraits d'artistes (after)

Pablo Picasso - Dans l'Atelier

Want more images or videos?

Request additional images or videos from the seller

1 of 2

Michel Fingesten
Invitation to Your Excellency to the Exhibition of the last Artworks
Early 1900

Name: Invitation to Your Excellency to the Exhibition of the last Artworks
Brand: Michel Fingesten
Price: 381.1 CHF
Availability: InStock
Rating: 4.9 (569 reviews)

$479.22

£355.64

€400

CA$660.39

A$726.73

CHF 381.10

MX$8,819.84

NOK 4,763.68

SEK 4,509.88

DKK 3,045.29

About the Item

Image dimensions: 19x10 cm Original rare Ex Libris by Michel Fingesten; includes passpartout. Hand signed in pencil. Michel Fingesten Michel Finkelstein, known as Fingesten, was born in 1884 in Buzkovice u Ostravy; he was a painter and engraver, who was famous particularly for his extraordinary production of Ex Libris (bookplates). After studying at the Academy of Fine Arts in Vienna, and in Monaco with Franz von Stuck, who addressed him to the caricature and to the graphics of small size, Fingesten left Austria; he travelled all over the world, visiting Europe, the United States of America and the Oriental countries. Fingesten’s stay in Berlin since 1913 was decisive for his contact with the world of the engraving. After his adhesion to the New Secession, Fingesten destroyed his previous pictorial production and he decided to dedicate himself to the dimension of the engraving; even if he preferred the graphics, he continued to see himself as a “painter”. The German city was characterized by a very dynamic artistic atmosphere that stimulated Fingesten. The engravings of this artist were published since 1915 in files and books in limited edition. Fingesten’s works were published also in the famous periodicals of the expressionist avant-garde, like “Genius” and “Marsyas”, with the artists and the writers most important of his age. Considered as a genius of the Ex Libris, that became with him a big art of small size, Fingesten realised more over than 1.500 of these brands of property since 1915. Fingesten’s Ex Libris were nourishment for the bibliophiles, who glued the bookplates on the first page of theirs books to indicate the property and who traded these Ex Libris. The Ex Libris is a genre that doesn’t have confines and that can’t be reduced to indicate the name of the owner on the book, on which it is glued. It left his old function of simple heraldic sign of property, and it became almost the projection of the bibliophile’s personality. Even if he didn’t fall in the eclecticism, Michel Fingesten used generously the medium of the quote, in the subject, in the form and in the style. In the 20s, for example, his art oscillates between Otto Dix and George Grosz, of which he overcomes the social critique and the erotism, and Karl Arnold of which he beats the irony. The Great Depression of 1929 and the rapid advance of the Nazism contributed in a significant way to the progressive isolation of the Czech painter and engraver. In the spring of the 1935, Fingesten left Germany and went to Italy, where he settled in Trieste and Milan. The collector Mantero remembers about Fingesten’s Italian stay that “he lived in a home without furnitures” in Via Chiaravalle 11. Mantero, who was one of the most important Fingesten’s customers of Ex Libris, wrote: “I understood he had a difficult and poor life for absence of money, but he didn’t have ambition of a rich life, indeed he told me that the earnings to buy some bread and a glass of wine were enough for him”. In that period, the main means of subsistence were the commissions of the collectors of Ex Libris, especially the collectors of Milan and Como, members of the circle of friends of the art merchant Luigi Filippo Bolaffio. Also known as “Picasso of the Ex Libris”, Fingesten explored this artistic medium and he elevated it with new and powerful expressive resources. When the Ex Libris was detached from its practical function, the Artist began to create Ex Libris also for fake customers, for “famous contemporary people”, poets, musicians, and since 1928, for political men. The Ex Libris, realised with a lot of graphic techniques, like the etching, the drypoint and the lithography, has always (with the graphics of occasion) the signature of the Artist, that underlines the awareness of his valour. An important chapter of the production of this Artist was dedicated to the erotic Ex Libris, that for their irony were understood with difficulty by people that didn’t belong to the circle of the Artist. Some of the most secret and rare erotic works by Fingesten are linked to the commissions of Gianni Mantero. The dominant element of these engravings is the sarcasm, that is sometimes connected to a gloomy irony, and to the presence of the death, that coincided with the war, particularly in the last years of the Artist existence. In his compositions, Fingesten was a narrator of life and death, of sex and love, of nightmares, hopes, art and poetry. His narration wasn’t without the time and the space, but it was at the center of the contemporary dimension, in the 20s and 30s of the anguished Europe that was going to the ruin. We can underline that the relationship between the Artist and the customer had an important role in the definition of the power of these graphic works; actually the creative energy, that was born from the contact between the Artist inspiration and the customer personality, generates a strong expressive freedom. After his death, Michel Fingesten and his works were forgotten; today there is a new attention to this very important artist and to his visionary sign. Bibliography • N. Nechwatal, Michel Fingesten – Das graphische Werk, Coburg 1984 • A. Tomasetig, Michel Fingesten: dalla collezione Cauti una mostra di ex libris e grafica d’occasione, 2005 • A. Parik, The unknown Michel Fingesten, Praha 2008 This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.

Creator:
Michel Fingesten (1884 - 1943, Italian)
Creation Year:
Early 1900
Dimensions:
Height: 11.82 in (30 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)
Medium:
Etching
Movement & Style:
Modern
Period:
Early 20th Century
Condition:
Insurance may be requested by customers as additional service, contact us for more information.
Gallery Location:
Roma, IT
Reference Number:
Seller: J-653821stDibs: LU65034670902

Fabrizio Clerici
Museum - Original Lithograph by Fabrizio Clerici, Mi 20th Century

$1,317

Vintage Poster Inter-Art-Gallery Exhibition - 1987

Located in Roma, IT

Vintage Poster Inter-Art-Galery Exhibition is a vintage poster realized in 1987, for the exhibition held at Inter Gallery. Vintage offset and lithograph poster. Good conditions. Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985). Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk...

Category

1980s Contemporary Figurative Prints

Materials

Offset

Located in OPOLE, PL

Pablo Picasso (1881-1973) - Dans l'Atelier Etching and aquatint from 1965. The edition of 33/50. Dimensions of work: 39 x 51.5 cm. Hand signed. Publisher: Galerie Louise Leiris,...

Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

Pablo Picasso
Dans l'Atelier, 1965

$17,731 Sale Price

20% Off

Free Shipping

A Matter of Aesthetics

Located in Surfside, FL

Lithograph with Roman portrait bust. Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition LITHOGRAPH at the Lake...

Category