Items Similar to Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles).
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Mortimer MenpesBassin d'Apollon, Versailles (Fountain of Appollo, Versailles).c. 1910
c. 1910
About the Item
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone, printed on [Men]pes countermarked laid paper. Signed and annotated 'imp' in pencil indicating a proof printed by the artist. Housed n a 16 c 20-inch archival mat, suitable for framing.
Mortimer Menpes was born in 1855 in Adelaide, South Australia. In 1875 he emigrated with his parents to London. Accompanying Menpes and his parents was a young woman named Rosa Grosse whom Menpes married after arriving in England. He began his art studies soon afterward at the South Kensington Schools, where he studied with Edward Pointer, a member of The Royal Academy.
In October of 1880, Menpes met Whistler at the Fine Art Society where their works were exhibited. Menpes left his studies at South Kensington and became Whistler's pupil and disciple. He invited Whistler to use his printing room where the artists worked together. Menpes was so devoted to Whistler that he and his artist friends formed a club to adulate Whistler and to further their artistic ideals. Menpes' admiration for his mentor is apparent the etched portraits of Whistler from the 1880's. Menpes' compositions vary from exacting bust-length studies to the playful multiple-image studies. While their close association only lasted for several years, it had a profound life-long impact on Menpes, whose book, Whistler as I Knew Him, has become a standard reference.
- Creator:Mortimer Menpes (1855 - 1938, Australian)
- Creation Year:c. 1910
- Dimensions:Height: 7.13 in (18.12 cm)Width: 9.13 in (23.2 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33522563771
Mortimer Menpes
Mortimer Luddington Menpes was born in Port Adelaide, South Australia on February 22, 1855, the second son of property developer James Menpes, who with his wife, Ann, had settled in Australia in 1839.Educated at Adelaide Educational Institution, he attended classes at the Adelaide School of Design, and did some excellent work as a photo-colourist, but his formal art training began at the School of Art in London in 1878, after his family had moved back to England in 1875. Edward Poynter was a fellow student at the school. Menpes first exhibited at the Royal Academy in 1880, and, over the following 20 years, 35 of his paintings and etchings were shown at the Academy. Menpes set off on a sketching tour of Brittany in 1880, during which he met James McNeill Whistler. He became Whistler's pupil, and at one stage shared a flat with him at Cheyne Walk on the Chelsea Embankment in London. He was taught etching by Whistler, whose influence, together with that of Japanese design, is evident in his later work. Menpes became a major figure in the etching revival , producing more than seven hundred different etchings and drypoints , which he usually printed himself. As early as 1880, a selection of ten of his drypoint portraits, donated to the British Museum by Charles A. Howell, brought him critical acclaim. In 1875, Menpes married fellow Australian Rosa Mary Grosse (d. 23 Aug 1936) in London. They had a son, Mortimer James (b. 1879) and two daughters, Rose Maud Goodwin and Dorothy Whistler. A visit to Japan in 1887 led to his first one-man exhibition at Dowdeswell's Gallery in London. Menpes moved into a property at 25 Cadogan Gardens, Sloane Square, designed for him by A. H. Mackmurdo in 1888 and decorated it in the Japanese style. Whistler and Menpes quarreled in 1888 over the interior design of the house, which Whistler felt was a brazen copying of his own ideas. The house was sold in 1900, and Menpes moved to Kent. In 1900, after the outbreak of the Boer War, Menpes was sent to South Africa as a war artist for the weekly illustrated magazine Black and White. After the end of the war in 1902, he travelled widely, visiting Burma, Egypt, France, India, Italy, Japan, Kashmir, Mexico, Morocco, and Spain. Many of his illustrations were published in travel books by A & C Black. His book on the Delhi Durbar was an illustrated record of the commemoration in Delhi of the coronation of King Edward VII. Menpes became a member of the Royal Society of Painter-Etchers and Engravers (RE) in 1881, Royal Society of British Artists (RBA) in 1885, Royal Institute of Painters in Water Colours (RI) in 1897, and Royal Institute of Oil Painters (ROI) in 1899. In 1904 he published the memoir of his time with Whistler, Whistler as I Knew Him. Mortimer Menpes died in Pangebourne on April 1, 1938.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1977
1stDibs seller since 2016
724 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Storrs, CT
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllThe Biggest of All; Telephone and Telegraph Building.
By Joseph Pennell
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Drypoint
$850 Sale Price
43% Off
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
Windy Night, Stockholm.
By Sir Muirhead Bone
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Landscape Prints
Materials
Etching, Drypoint
$1,600 Sale Price
20% Off
The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Landscape Prints
Materials
Etching, Drypoint
$2,750 Sale Price
21% Off
Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Landscape Prints
Materials
Etching, Drypoint
$2,000 Sale Price
20% Off
The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Landscape Prints
Materials
Etching, Drypoint
$2,500 Sale Price
28% Off
You May Also Like
At the Beach - Drypoint and Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
At the Beach is an original Etching and Drypoint realized by Mino Maccari in Mid-20th Century.
Good condition on a yellowed paper.
Hand-signed by the artist with pencil.
Mino Macc...
Category
Mid-20th Century Modern Figurative Prints
Materials
Etching, Drypoint
View of Rome - Etching and Drypoint by C.A. Petrucci - 1964
By Carlo Alberto Petrucci
Located in Roma, IT
View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964.
Good condition included a white cardboard passpartout (37x52 cm).
Hand signed by the artist with pencil.
Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...
Category
1960s Modern Figurative Prints
Materials
Etching, Drypoint
The Cabin - Drypoint by Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877.
Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category
1870s Modern Figurative Prints
Materials
Etching, Drypoint
Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category
1930s American Modern Figurative Prints
Materials
Drypoint, Etching
La colline de Sainte Anne - Original Etching by Dunoyer de Segonzac - 1925
By André Dunoyer de Segonzac
Located in Roma, IT
Image dimensions: 13 x 18 cm.
Etching on ivory colored paper.
Etching on ivory colored paper, with two embossing stamps: "Libreria Prandi Reggio E." in lower-right corner,"H. Peti...
Category
1920s Modern Figurative Prints
Materials
Drypoint, Etching
Le Blessé dans la Tranchée - Original Etching by Dunoyer de Segonzac - 1940s
By André Dunoyer de Segonzac
Located in Roma, IT
Hand signed. Edition of 75 prints.
Includes passepartout: 49x34 cm.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy creat...
Category
1940s Modern Figurative Prints
Materials
Drypoint, Etching