Nino Cordio

Green Composition - Etching by Nino Cordio - 1995

1995

Composition is an original colored etching artwork on cardboard realized by Leo Guida in 1971. Hand-signed in pencil and dated on the lower left, titled on the lower right. The sta...

Composition is an original etching realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (50x35). Not signed and not dated. Leo Guida (1992 - ...

Abstract Composition is an original artwork realize d in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching and embossing on ivory-colored pape...

Abstract Composition is a little mixed media etching realized by an artist of late 20th century. In good conditions the artwork is mounted on a white cardboard (24x30). No signatur...

This original mold, created by Beckford Young for one of his lithograph series, is exceptional. This piece contains a network of reliefs, hollows, and edges, each detailing the resul...

Dimitri Petrov, American (1919 - 1986) - Untitled - Green Abstract, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 175, Size: 22 x 30 in. (55.88 ...

Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas más fam...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...