Orovida PissarroMan & Beast by Orovida Pissarro - Etching1924
1924
About the Item
- Creator:Orovida Pissarro (1893 - 1968)
- Creation Year:1924
- Dimensions:Height: 10.63 in (27 cm)Width: 8.67 in (22 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261210776732
Orovida Pissarro
Orovida Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies.
Orovida first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling.
Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud.
Orovida's most distinctive works are her paintings from the 1920s and 1930s in gouache (she called her mixture body color) and tempera, applied in thin, delicate washes to silk, linen, paper or gold leaf and embellished with brocade borders. These elegant and richly decorative works generally depict non-Western subjects, for example: Mongolian horseback riders, African dancers and Persian princes, often engaged in activities such as dancing or hunting rituals.
The second half of Orovida's painting career is marked by a dramatic change in both style and subject matter. In the mid-1940s, she began to embrace contemporary subjects from everyday life and returned to a more naturalistic style. Her new style was more suited to oils, and thus, she returned to that medium.
Over the course of her life, Orovida was aware of the mixed blessing of having famous artists in the family; not only a grandfather and father but also four uncles, and towards the end of her life, she was instrumental in developing the Pissarro family archive that her mother had established at the Ashmolean Museum in Oxford.
(Biography provided by Stern Pissarro Gallery)
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Pig Sticking by Orovida Pissarro, 1931 - Etching PrintBy Orovida PissarroLocated in London, GBSOLD UNFRAMED Pig Sticking by Orovida Pissarro (1893 - 1968) Etching 17.3 x 27.4 cm (6 ¾ x 10 ¾ inches) Signed and dated lower right Orovida 1931 Numbered lower left 26/50 and titl...Category
1930s Figurative Prints
MaterialsEtching
- Fear Ridden by Orovida Pissarro, 1926 - Etching PrintBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower righ...Category
1920s Figurative Prints
MaterialsEtching
- Curves by Orovida Pissarro, 1919 - Etching PrintBy Orovida PissarroLocated in London, GBCurves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...Category
1910s Post-Impressionist Animal Prints
MaterialsPaper, Etching
- Man & Beast by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1920s Post-Impressionist Animal Prints
MaterialsEtching
- The Hunting Prince by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GBThe Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...Category
1920s Animal Prints
MaterialsEtching
- Mare and Foal by Orovida Pissarro - Etching PrintBy Orovida PissarroLocated in London, GBSOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...Category
20th Century Figurative Prints
MaterialsEtching
- Monkey (Edition 33/100 Dated 1959)Located in Sydney, NSWArtist: Thomas Cornell (American 1937-2012) Title: Monkey (Edition 33/100 Dated 1959) Medium: Etching on paper Condition: This work is in good condition, in its original frame. Provenance: Private Collection New York About: Cornell was known for empirical drawings and paintings. His work involved moral content concerning global, social, and environmental justice. He was the Richard E. Steele Artist-in-Residence at Bowdoin College...Category
Mid-20th Century American Modern Animal Prints
MaterialsEtching, Paper
- Birds - XXI century, Figurative print, Black and white, AnimalsBy Anna MikkeLocated in Warsaw, PLLimited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...Category
2010s Other Art Style Figurative Prints
MaterialsPaper, Etching
- Birds - XXI century, Figurative print, Black and white, AnimalsBy Anna MikkeLocated in Warsaw, PLLimited edition, 6/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...Category
2010s Other Art Style Figurative Prints
MaterialsEtching, Paper
- Leda and the SwanBy Albert DecarisLocated in West Hollywood, CAPresenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...Category
1920s Figurative Prints
MaterialsEtching
- Night OwlBy Timothy CummingsLocated in Santa Fe, NMEtching of 26Category
21st Century and Contemporary Surrealist Figurative Prints
MaterialsEtching
- Feeling PricklyBy Jenny TothLocated in Brooklyn, NYThis is an artist proof (one of a kind) etching of a woman with a cactus growing in and out of her. Whimsical and both funny and thoughtful, the composition is both rhythmic and pow...Category
2010s Contemporary Figurative Prints
MaterialsPaper, Ink, Archival Ink, Etching