Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Otto Kuhler
'Bedrock' — Construction of the New Yorker Hotel

1928

$900
£679.85
€785.71
CA$1,264.74
A$1,406.17
CHF 740.44
MX$17,061.12
NOK 9,374.28
SEK 8,762.67
DKK 5,863.44

About the Item

Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on Arches, cream laid paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 x 7 7/8 inches (305 x 200 mm); sheet size 15 7/8 x 11 3/8 inches (403 x 289 mm). Ex. collection Kennedy Galleries. The scene depicted is the construction site of the hotel 'New Yorker' in New York City. ABOUT THE ARTIST Otto Kuhler (1894, Remscheid, Germany -1977, New York City) was a prolific artist and visionary industrial designer whose creative vision left enduring contributions to the worlds of art and transportation. Kuhler's early years were marked by a deep fascination with machines and technology, a passion that would later shape his artistic career. After studying engineering in Germany, he immigrated to the United States in 1923, where he began to pursue his artistic ambitions in earnest. Throughout the 1920s and 1930s, Kuhler's distinctive artistic style began to emerge, characterized by bold colors, geometric forms, and dynamic compositions. His modernist aesthetic caught the attention of the burgeoning industrial design community, leading to collaborations with prominent companies such as the American Locomotive Company (ALCO) and the Electro-Motive Corporation (EMC). Kuhler's most enduring contributions came in the realm of locomotive design, where his innovative concepts revolutionized the aesthetics and functionality of trains. His streamlined locomotives, with their sleek, futuristic designs, captured the spirit of the modern age and helped define the visual identity of rail travel in the mid-20th century. His innovative influence on industrial design and transportation aesthetics is still felt today. In addition to his work in industrial design, Kuhler was also a prolific painter, illustrator, and printmaker known for his detailed landscapes and dynamic cityscapes. His work often reflected his fascination with technology and machinery, juxtaposing natural and industrial elements to create compelling visual narratives. Kuhler’s printmaking oeuvre was represented by the renowned Kennedy Galleries in New York City. Kuhler's legacy endures through his extensive body of work, which is represented in galleries, private collections and museums around the world including the Brooklyn Museum, Cleveland Museum of Art, Denver Public Library, Fine Arts Museums of San Francisco, Henry Ford Museum, National Gallery of Art, National Museum of American History, New Mexico Museum of Art, New York Transit Museum, Railroad Museum of Pennsylvania, Roentgen Museum (Remscheid, Germany), University of Missouri at St. Louis, and the Westmoreland Museum of American Art.
  • Creator:
    Otto Kuhler (1894 - 1977, German)
  • Creation Year:
    1928
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 7.88 in (20.02 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1037131stDibs: LU53234926981

More From This Seller

View All
'Woolworth Building Under Construction' — Early 20th Century Modernism
By Earl Horter
Located in Myrtle Beach, SC
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...
Category

1910s American Modern Landscape Prints

Materials

Etching

'George Washington Bridge (Under Construction)' — 1920s New York City
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...
Category

1920s American Modern Figurative Prints

Materials

Etching

'The Sixth Avenue Spur, New York City '— American Expressionism
By Frederick K. Detwiller
Located in Myrtle Beach, SC
Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...
Category

1920s Ashcan School Figurative Prints

Materials

Lithograph

'The Connectors' — Vintage American Realism, New York City
By James Allen
Located in Myrtle Beach, SC
James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...
Category

1930s American Realist Figurative Prints

Materials

Etching

'The Elevated, East 42nd Street, New York' — 1910 American Realism
By William Monk
Located in Myrtle Beach, SC
William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...
Category

1910s American Realist Figurative Prints

Materials

Etching

'New York, Central Park' — 1930s American Modernism
By William Meyerowitz
Located in Myrtle Beach, SC
'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...
Category

1930s American Modern Landscape Prints

Materials

Etching

You May Also Like

Manhattan Excavation, Signed Etching by David Muirhead Bone
Located in Long Island City, NY
Manhattan Excavation David Muirhead Bone, Scottish (1876–1953) Etching on wove paper, signed in pencil lower right Image Size: 12.25 x 10.25 inches Size: 18 x 13 in. (45.72 x 33.02 cm)
Category

1920s Art Deco Landscape Prints

Materials

Etching

Ann Nooney, (Demolition with Windows, NYC)
By Ann Nooney
Located in New York, NY
The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...
Category

1930s American Realist Figurative Prints

Materials

Lithograph

Charles Keller Original Stone Lithograph - "6th Avenue Subway”
Located in Phoenix, AZ
Original lithograph by Charles Keller depicting the subway being built in New York on 6th Avenue in 1937. This print is inscribed lower left: “To W.B.” The print is in excellent con...
Category

Mid-20th Century More Prints

Materials

Lithograph

Demolition Pour le Percement du Boulevard St.German by Maxime Lalanne - 1862
By Maxime Lalanne
Located in Roma, IT
Demolition Pour le Percement du Boulevard St.German is a black and White etching realized by Maxime Lalanne in 1862  Titled in the lower Image Size: 32x23 Very good impression. R...
Category

1860s Modern Figurative Prints

Materials

Etching

N.Y. STEEL AND IRON.
By William Meyerowitz
Located in Portland, ME
Meyerowitz, William. N.Y. STEEL AND IRON. Drypoint, 1928. Edition of 40. Ttiled, numbered "2/40" and signed in pencil. 12 x 9 7/8 inches (plate), 13 1/2 x 11 inches (sheet). Inexcell...
Category

1920s Landscape Prints

Materials

Drypoint

MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category

1940s American Realist Landscape Prints

Materials

Etching