Paul Gervais

Marmot of Quebec - Original Lithograph by Paul Gervais - 1854

1854

Marmotte Des Alpes is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

Viscacha is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published ...

The Beaver is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la...

The Squirrel is an original colored lithograph with stencil on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Na...

Artist: John James Audubon (American, 1785-1851) Title: "Say's Marmot Squirrel" (Plate 114, No. 23) Portfolio: The Viviparous Quadrupeds of North America, Royal Octavo Edition Year: 1849-1870 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 8,000 Printer: John T. Bowen, Philadelphia, PA Publisher: John Woodhouse Audubon...

Wonderfully preserved hand-colored 1830's lithograph "Ground Squirrel" by Thomas Doughty (American, 1793 - 1856), circa 1830. From "The Cabinet of Natural History and American Rural Sports." Phila: J.&T. Doughty, 1830-32. Sold previously by Bland Gallery, Early 20th century East Side gallery specializing in miniatures. Presented in frame with new acid-free mat under plexiglass. Image size: 7.25"H x 8.75"W. Doughty’s short-lived magazine “The Cabinet of Natural History and American Rural Sports” is an important imprint in the history of American printing. It contained the first colored sporting prints made in America. Issued in monthly parts and published from the end of 1830 until the spring of 1834, “The Cabinet” featured articles on hunting, detailed descriptions of newly discovered flora and fauna, and some of the finest examples of early American hand-colored lithography. It was originally the work of the Doughty brothers, Thomas and John, with virtually all of the plates being the work of Thomas, who also founded the Hudson River School. But, by the spring of 1832, the partnership had broken up and Thomas had moved to Boston. An abbreviated third volume lacked Thomas’ touch. Printed by Childs & Inman, the partnership between Philadelphia engraver and lithographer Cephas G. Childs and New York portrait...

The antique print titled "The Marmot Diana" is a charming hand-colored illustration of a groundhog or prairie dog. It depicts the creature in a restful pose, on what appears to be a ...

This is an original John James Audubon hand-colored lithograph entitled "The Camas Rat" (Gopher), No. 29, Plate CXLII from John James Audubon's Quadrupeds of North America, published...