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Paul JacouletLa Lettre du Fils (The Son's Letter)1938
1938
$1,750
£1,343.83
€1,541.59
CA$2,458.96
A$2,753.87
CHF 1,436.93
MX$33,637.40
NOK 18,281.89
SEK 17,232.87
DKK 11,504.67
About the Item
This artwork titled "La Lettre du Fils" (The Son's Letter) 1938 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. It is hand signed in pencil by the artist, with the red stamp under the signature. The woodblock image is 11.75 x 15.75 inches, framed is 22.25 x 25.25 inches. It is beautifully custom framed in a wooden gold frame, with gold color spacer and fabric matting. It is in very good condition, the colors are fresh and bright.
About the artist:
Paul Jacoulet is best known for his striking portraits of the natives of Asia and the South Seas. He designed over 160 woodblock* prints and oversaw their production in his workshop. Following in the collaborative tradition of ukiyo-e* printmaking, Jacoulet recruited talented carvers and printers who could duplicate the delicate lines of his drawings and watercolors. The exquisite quality of Jacoulet's prints was due in great part to his exacting standards, and his use of costly materials like mica, crushed pearl and powdered metals.
Born in Paris in 1896, Jacoulet was raised in Tokyo from an early age. His father Frederic Jacoulet was a university professor hired by the Japanese government to teach French to young aristocrats. Jacoulet was fluent in Japanese language and social customs, and he studied a wide range of traditional arts.
Around 1931, Jacoulet began to work with Shizuya Fujikake learning the craft of woodblock printmaking. In 1933, he established the Jacoulet Institute of Prints, and by the next year, he began publishing his own designs. With the exception of Jacoulet's 1934 Rainbow Series published by the Kato Institute, all of his prints were self-published.
Unlike many other shin hanga* publishers, he gave credit to his carvers and printers by including their names in the margins of his prints. He was also known for having extremely standards for both carving and printing and would discard any prints whose impression was not excellent. In a 1946 article in TIME magazine, Jacoulet claimed to use the earlier imperfect impressions of his prints to paper the floor of his chicken house.
Jacoulet remained in Japan through World War II and continued to produce prints up until the time of his death in 1960. Although many of his prints were sold by subscription, he also sold a number of prints to American military officers stationed in Japan.
- Creator:Paul Jacoulet (1902 - 1960, French)
- Creation Year:1938
- Dimensions:Height: 22.25 in (56.52 cm)Width: 25.25 in (64.14 cm)Depth: 1.35 in (3.43 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: jac/let/fil/011stDibs: LU66635537622
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About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
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