Philippe Francois

Shore - Etching by Philippe Francois - Mid-20th Century

Mid-20th Century

South shore is an original etching by Maurice Chot Plassot (1929). Hand- signed by the artist on the lower right corner and the title on the left corner. In very good contitions, ...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

The Bay is an original lithograph realized by Paul Petit in the mid-20th. Hand-signed. Numbered. Edition, 6/9. The artwork is depicted through confident ...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

V. Beffa - Seaside. Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Rocky Shore Olga Poloukhine, French/American Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 28 x 21 in. (71.12 x 53.34 cm)

Seaside by Georges Lambert, French (1919–1998) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 200 Size: 21 in. x 30 in. (53.34 cm x 76.2 cm)

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...