SUR LA PLAGE, a BERNEVAL
View Similar Items
Pierre-Auguste RenoirSUR LA PLAGE, a BERNEVAL1894/21+
1894/21+
About the Item
- Creator:Pierre-Auguste Renoir (1841-1919, French)
- Creation Year:1894/21+
- Dimensions:Height: 5.375 in (13.66 cm)Width: 3.7 in (9.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU411310370562
Pierre-Auguste Renoir
Pierre-Auguste Renoir began his artistic career as a porcelain painter but began copying paintings at the Louvre in 1860 and eventually entered the studio of Charles Gleyre, where he met Claude Monet, Frédéric Bazille, and Alfred Sisley. The four friends began painting in the forest of Fontainebleau, although Renoir always remained dedicated to figure painting and portraits influenced by Gustave Courbet.
In the summer of 1869, Renoir painted for two months alongside Monet at La Grenouillère outside Paris. After several of his paintings were rejected by the Salon in the early 1870s, he decided to join Monet in establishing the Impressionists, who sought to capture modern life including everyday people, streets, and surroundings.
Renoir's penchant for portraiture attracted the attention of a range of patrons with avant-garde sensibilities and sustained him financially. His doubts about the spontaneity and impermanence of the Impressionist aesthetic led him to refuse to participate in the fourth Impressionist exhibition in 1878. Instead, he decided to look back to the Old Masters, leaving for Italy in 1881 to continue his self-education in the “grandeur and simplicity of the ancient painters.” He returned enamored of Raphael and Pompeii and his figures consequently became more crisply drawn and sculptural in character.
By the late 1880s and early 1890s, Renoir had shifted his investigation of the Old Masters from linear classicism to the colouristic traditions of Titian and Rubens as well as the unabashedly sensual beauty of eighteenth-century French art such as the nudes of Rubens and Fragonard. Renoir's most important series of the decade came from an invitation by the French government to execute a painting for the Musée du Luxembourg, a new museum devoted to the work of living artists. Renoir made five versions of Two Young Girls at the Piano for the Minister of Fine Arts to choose from; the version in the Robert Lehman Collection at the Metropolitan Museum of Art is one of the finest. The subject of Two Young Girls at the Piano recalls eighteenth-century French genre scenes, especially those of Fragonard.
In the early twentieth century, despite old age and declining health, Renoir persisted in artistic experimentation. He took up sculpture and continued to paint portraits attesting to his continued admiration of Renaissance art. Renoir was also drawn to an arcadian ideal of Mediterranean classicism in his art. This artistic preoccupation is nowhere more apparent than in his twentieth-century bathers. The Rubenesque nudes he had been painting reached a level of unprecedented exaggeration in the twentieth century, culminating in the massive Bathers at the Musée d'Orsay.
Find original Pierre-Auguste Renoir prints, paintings and other art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
- Vachère au Bord de l'EauBy Camille PissarroLocated in Santa Monica, CACAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...Category
1890s Impressionist Figurative Prints
MaterialsEtching, Drypoint
$1,560 Sale Price20% Off - Joseph and Potiphar's Wife 1By Lovis CorinthLocated in Santa Monica, CALOVIS CORNTH (German 1858 - 1925) JOSEPH und POTIPHARS WEIB 1, 1914 (S. 168) Drypoint, Unsigned, platemark 7 3//8" X 9 5/8 " on good watermarked laid paper. Full margins, deckl...Category
1910s Expressionist Figurative Prints
MaterialsDrypoint
$275 Sale Price44% Off - HEAD OF A WOMAN IN PROFILEBy Julian Alden WeirLocated in Santa Monica, CAJ. ALDEN WEIR (1852 – 1919) LARGE HEAD IN PROFILE, 1891 (Zimmerman 30) Signed and dated in plate only in upper left corner. 7 7/8 x 5 7/8” Sheet size 13 x 9 ¼”. Delicate impressi...Category
1890s American Realist Figurative Prints
MaterialsDrypoint
$800 Sale Price51% Off - Der Neger (The Negro)By Max BeckmannLocated in Santa Monica, CAMAX BECKMANN (1884 – 1950) DER NEGER (THE NEGRO) 1921 (Glaser 171. Gallwitz 168. Hofmaier 196 II B b. Rifkind 138 6.) Drypoint, Signed in pencil from Jahrmarkt (The Annual Fair) . O...Category
1920s Expressionist Figurative Prints
MaterialsDrypoint
- DER SCHATTEN IIBy Hermann Max PechsteinLocated in Santa Monica, CAMAX PECHSTEIN (1881 -1955) DER SCHATTEN II 1918 (Knupp 79, Fecher 143 I/ii) Rich drypoint, signed and annotated, FIRST STATE. Image: 8 1/4 x 6 inches on japan paper; 15 x 11 1/4 i...Category
1910s Expressionist Figurative Prints
MaterialsDrypoint
- CHANGING FLIESBy Levon WestLocated in Santa Monica, CALEVON WEST (1900 – 1968) CHANGING FLIES c. 1930 Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...Category
1930s Impressionist Figurative Prints
MaterialsEtching
- Lady Hailing a Carriage Dame, eine Droschke rufend - German ImpressionismBy Lesser UryLocated in London, GBThis original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is also hand numbered in pencil from the edition of 150, at the lower ...Category
1910s Impressionist Figurative Prints
MaterialsDrypoint, Etching
- BillingsgateBy James Abbott McNeill WhistlerLocated in Middletown, NYEtching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...Category
Mid-19th Century Impressionist Landscape Prints
MaterialsDrypoint, Laid Paper, Etching
- Barcarolle.By James McBeyLocated in Storrs, CTBarcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching
$9,000 Sale Price33% Off - Madame Helleu Looking at Watteau drawings at the Louvre..By Paul César HelleuLocated in Storrs, CTMadame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...Category
Late 19th Century Impressionist Portrait Prints
MaterialsDrypoint, Color
$8,500 Sale Price29% Off - RotherhitheBy James Abbott McNeill WhistlerLocated in Storrs, CTRotherhithe (Originally published as Wapping). 1860. Etching. Kennedy catalog 66 state iii; Glasgow catalog 70. state vi. 10 3/4 x 7 3/4 (sheet 12 7/8 x 9 1/2). Series: "Sixteen Etc...Category
Mid-19th Century American Impressionist Figurative Prints
MaterialsDrypoint, Etching
$8,800 Sale Price20% Off - The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching