Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Ralph Fabri
“Americana”

1947

About the Item

Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector. Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education." Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art. During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser's estate in Mt. Kisco, N.Y., for which Fabri acted as architect and contractor. Soon after arriving in the United States, Fabri began writing art reviews and articles on art and other topics for publication in Hungarian newspapers, and began submitting similar pieces to American newspapers and periodicals. Between 1949 and 1951 Pictures on Exhibit published a series of twenty articles by Fabri on materials and techniques, and from 1952 through 1961 he was a critic for that publication. Fabri contributed many articles on a variety of topics to Today's Art, starting in 1953, the year the magazine was established. In 1961, Fabri became associate editor of that monthly periodical and was named its editor in 1970, a position he held for the remainder of his life. During his tenure, every issue of Today's Art included signed and unsigned articles and editorials by Fabri, as well as some pieces written under pseudonyms. He also worked as a book reviewer for American Artist and art editor of Funk & Wagnall's New Encyclopedia . Fabri may be best known for his books in the how-to-do-it vein, some of which were distributed through art supply stores. Among his many books are: Learn to Draw (1945), Oil Painting: How-to-Do-It! (1953), A Guide to Polymer Painting (1966), Sculpture in Paper (1966), Color: A Complete Guide for Artists (1967), Complete Guide to Flower Painting (1968), The First Hundred Years: History of the American Watercolor Society (1969), Painting Outdoors (1969), Painting Cityscapes (1970), and Artist's Guide to Composition (1971). For nearly three decades, Fabri taught art in New York City. He was an instructor in the life and still life classes at the Parson's School of Design from 1947 through 1949. In 1951, Fabri was appointed associate professor at City College of New York, where he taught painting and art history until retiring in 1967. In addition, he was on the faculty of School of the National Academy of Design, teaching painting, drawing, and graphics from 1964 until his death. Fabri was an active member of many artists' organizations. He was president of the National Society of Painters in Casein, Inc., an organization founded by Fabri in 1953 (it later became the National Society of Painters in Casein and Acrylic, Inc.); he also served as president of the Audubon Artists and the Allied Artists of America, Inc. As historian of The American Watercolor Society, Fabri wrote a book length history of that organization published on the occasion of its centennial. He was the secretary and treasurer of the National Academy of Design, as well as serving on many of its committees. Paintings and prints by Ralph Fabri have been exhibited widely in solo and group exhibitions throughout the United States and, to a lesser extent, in Europe. A frequent lecturer, his painting demonstrations were quite popular. Fabri received numerous honors and awards, and his work is included in the permanent collections of the Metropolitan Museum of Art, the Library of Congress, the New York Public Library, the National Academy of Design, the Norfolk Museum of Art and Science, Smithsonian Institution, the Museum of Fine Arts, the National Gallery in Budapest, and many other public and private collections. Ralph Fabri died in New York City in February 1975.
  • Creator:
    Ralph Fabri (1894 - 1975, American)
  • Creation Year:
    1947
  • Dimensions:
    Height: 8 in (20.32 cm)Width: 9.75 in (24.77 cm)Depth: 0.25 in (6.35 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU14110354402
More From This SellerView All
  • “Untitled”
    By Nahum Tschacbasov
    Located in Southampton, NY
    Hand colored original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “AP” lower left for artist proof in pencil. Signed by the artist lower...
    Category

    1940s Modern Figurative Prints

    Materials

    Etching, Archival Paper

  • “Mermaid with Bird”
    By Nahum Tschacbasov
    Located in Southampton, NY
    Hand colored original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “AP” lower left for artist proof in pencil. Signed by the artist lower...
    Category

    1950s Modern Figurative Prints

    Materials

    Etching, Archival Paper

  • “Woman Riding Horse”
    By Nahum Tschacbasov
    Located in Southampton, NY
    Hand colored original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “AP” lower left for artist proof in pencil. Signed by the artist lower...
    Category

    1940s Modern Figurative Prints

    Materials

    Etching, Archival Paper

  • “The Bird”
    By Nahum Tschacbasov
    Located in Southampton, NY
    Hand colored original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “AP” lower left for artist proof in pencil. Signed by the artist lower...
    Category

    1940s Modern Figurative Prints

    Materials

    Etching, Archival Paper

  • “Chorus Boys”
    By Nahum Tschacbasov
    Located in Southampton, NY
    Black and white original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “Artist Proof lower left in pencil. Signed by the artist lower righ...
    Category

    1930s Modern Figurative Prints

    Materials

    Etching, Archival Paper

  • “Woman with Beast”
    By Nahum Tschacbasov
    Located in Southampton, NY
    Black and white original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “Arist Proof” lower left in pencil. Signed by the artist lower righ...
    Category

    1930s Modern Figurative Prints

    Materials

    Etching, Archival Paper

You May Also Like
  • Low Country (South Carolina)
    By Elizabeth Verner
    Located in Middletown, NY
    An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Archival Paper, Drypoint, Etching

  • Monkey (Edition 33/100 Dated 1959)
    Located in Sydney, NSW
    Artist: Thomas Cornell (American 1937-2012) Title: Monkey (Edition 33/100 Dated 1959) Medium: Etching on paper Condition: This work is in good condition, in its original frame. Provenance: Private Collection New York About: Cornell was known for empirical drawings and paintings. His work involved moral content concerning global, social, and environmental justice. He was the Richard E. Steele Artist-in-Residence at Bowdoin College...
    Category

    Mid-20th Century American Modern Animal Prints

    Materials

    Etching, Paper

  • Fiesole, an Ancient Tower
    By John Taylor Arms
    Located in Middletown, NY
    Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

  • San Marino (Sketch)
    By John Taylor Arms
    Located in Middletown, NY
    Ecthing in black ink on cream laid paper with a partial watermark, full margins. In excellent condition. A very scarce work from an edition of less than 20 impressions. Signed, date...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Laid Paper, Etching

  • The Grolier Club Library (Sketch), Demonstration Print
    By John Taylor Arms
    Located in Middletown, NY
    Etching on light yellow cream laid paper with deckle edges, full margins. Inscribed in the image "Library of the Grolier Club, Demonstration Plate, Drawn, Etched and Printed in a Li...
    Category

    Mid-20th Century American Modern Interior Prints

    Materials

    Laid Paper, Etching

  • Shadows of Venice
    By John Taylor Arms
    Located in Middletown, NY
    Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Aquatint, Laid Paper, Etching

Recently Viewed

View All