Renato Guttuso

Allegories: the Morning Visit - Original Offset by Renato Guttuso - 1979

1979

Allegories: the Morning Visit is an original Contemporary artwork realized after the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1979. Colored Offset on paper. The autograph signature of the artist is present on the lower right corner: Guttuso. On the lower left corner: Renato Guttuso - Le Allegorie: La visita mattutina - 1979. Good conditions: some foxings spots are present on the lower margin. Renato Guttuso (Bagheria, 1911 – Rome, 1987). His father Gioacchino, a land-surveyor and amateur watercolourist, and his mother Giuseppina d’Amico, due to disagreements with their own town depending on their liberal ideas, registered the birth on 2 January 1912 in Palermo. In his birthplace Guttuso discovered painting at a very early age; as he himself wrote: “… among my father’s watercolours, the studio of the painter Domenico Quattrociocchi and the workshop of the cart painter Emilio Murdolo my path was taking shape when I was six, seven, ten years old…”.Guttuso was awarded the Lenin Prize at the time of his exhibition at the Art Academy in Moscow, 1972. The same year a large retrospective toured Eastern Europe calling at Praha, Bucarest, Bratislava and Budapest. Two major paintings belong to this period: La Vucciria (1974), later presented by the artist to the University of Palermo, and Caffe...

Allegories: the Morning Visit is an original Contemporary artwork realized after the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1979. Original Colored Offset on ...

Allegories: the Morning Visit is an original Contemporary artwork realized after the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1979. Colored Offset on paper. The autograph signature of the artist is present on the lower right corner: Guttuso. On the lower left corner: Renato Guttuso - Le Allegorie: La visita mattutina - 1979. Good conditions: some foxings spots are present on the lower margin. Renato Guttuso (Bagheria, 1911 – Rome, 1987). His father Gioacchino, a land-surveyor and amateur watercolourist, and his mother Giuseppina d’Amico, due to disagreements with their own town depending on their liberal ideas, registered the birth on 2 January 1912 in Palermo. In his birthplace Guttuso discovered painting at a very early age; as he himself wrote: “… among my father’s watercolours, the studio of the painter Domenico Quattrociocchi and the workshop of the cart painter Emilio Murdolo my path was taking shape when I was six, seven, ten years old…”.Guttuso was awarded the Lenin Prize at the time of his exhibition at the Art Academy in Moscow, 1972. The same year a large retrospective toured Eastern Europe calling at Praha, Bucarest, Bratislava and Budapest. Two major paintings belong to this period: La Vucciria (1974), later presented by the artist to the University of Palermo, and Caffe...

Allegories: The Sleep of the Reason is an original Contemporary artwork realized by the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1979. Original Colored Offset ...

Colour lithograph depicting a classic still life by Guttuso, one of his most representative subjects limited edition Current copy numbered: IX/LXXV Size with frame: 84 x 71 cm Paper ...

Renato Guttuso è stato un pittore italiano tra i più importanti del XX secolo. L’opera è una litografia realizzata in acquaforte e acquatinta circa negli anni ’60 e rappresenta un s...

Renato Guttuso Italian 1911-1987 Father & Child Oil on canvas 30 ½ by 19 in. W/frame 31 ½ in. by 20 in. Signed verso "Guttuso" Signed lower center "Guttuso" Dated 1966 Titled vers...

"La Visite des Amateurs" is an original color lithograph by Claude Weisbuch. It is signed in the lower right and editioned "EA" in the lower left. This piece depicts four figures: one artist in black robes, two onlookers, and one female nude model. They appear to be in an endless flat landscape. 22" x 29 7/8" art Claude Weisbuch was born on February 8th, 1927 in Thionville, France. His art includes drawing, painting and lithographs. Inventive and unique with his style he uses color range that is warm and rich in tone, certainly equal to that of Rembrandt. The fluidity of line and creation of motion is even more vigorous that in the work of Daumier or Toulouse Lautrec. His creativeness in composition is awesome and seems to have infinite possibilities of variation and vision. Weisbuch died in 2014. Exhibitions Herve Odermatt Gallery Paris, France Escole de Paris Paris, France David Barnett...