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Richard PrinceIt's a Free Concert European offset print (Hand Signed by Richard Prince)2014
2014
$1,500
£1,159.01
€1,339.93
CA$2,119.61
A$2,377.28
CHF 1,244.95
MX$28,886.29
NOK 15,808.73
SEK 14,987.79
DKK 10,001.84
About the Item
Richard Prince
It's a Free Concert (Hand Signed by Richard Prince), 2014
Offset Lithograph (hand signed by Richard Prince)
Hand signed by the artist on the front
Unnumbered
33 × 23 3/5 inches
Unframed
This offset lithograph poster was created on the occasion of the Richard Prince exhibition at the Kunsthaus Bregenz in Austria from July 19 - October 5, 2014. The artwork featured in this poster is titled, "Bootleg" and was created by the artist in 2010. For people who grew up in the Sixties (or for lovers of rock & roll documentaries) the term "It's a Free Concert" was an ingrained part of our cultural vernacular. For the new generation, it refers to the transformative 1960s concert "Woodstock" on Yasgur's Farm, when the organizers loudly declared "It's a Free Concert" - after so many people without tickets wanted to attend. The term has taken on a meaning beyond its original context. This poster was hand signed in person by the artist for the present owner. The official poster was unsigned - and very few were hand signed by the artist. Authenticity unconditionally guaranteed.
Provenance
Hand signed by the artist for the present owner. Authenticity guaranteed.
- Creator:Richard Prince (1949, American)
- Creation Year:2014
- Dimensions:Height: 33 in (83.82 cm)Width: 23.6 in (59.95 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Some slight creasing along the left edge that will frame out but otherwise in very good condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215213502
Richard Prince
Richard Prince (American, b.1949) is a painter and photographer, best known as a pioneer of Appropriation Art. Born in the Panama Canal Zone, Prince grew up in Massachusetts and moved to New York in 1977, where he prepared magazine clippings for Time-Life, spurring his interest in advertising and consumer imagery. He began creating works based on various pop culture images taken from magazines and newspapers, often re-photographing and manipulating the images in his own works. Considered by many the father of Appropriation Art, the majority of his works includes scandalous subject matter and has provoked controversy around issues of copyright in the art world. His famous Cowboys series of 1980s photographs, for example, was taken from Marlboro ad campaigns. In the mid-1980s, Prince shifted his interest from images to text, evident in his Jokes series, displaying appropriated jokes in ironic works. From his home in Upstate New York, Prince created his late Nurse Paintings series, inspired by pulp romance novels, as well as his own photographs of everyday rural and suburban life. He acquired an abandoned farmhouse near his home in 2001, which he turned into an installation site he called Second House, installing the interior with his sculptures, paintings, and his own books; the structure has been purchased by the Guggenheim Museum in New York, but was struck by lightning and destroyed in 2007. In the fall of that year, Prince’s work was the subject of a major retrospective at the Guggenheim Museum. Prince currently lives and works in Upstate New York.
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