Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Robert Mapplethorpe
Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains - poster

1991

About the Item

Robert Mapplethorpe Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains poster, 1991 Offset lithograph poster 17 × 11 inches Unframed, unsigned and unnumbered Extremely rare and collectible 1991 poster published on the occasion of the Chains exhibition at The Atlantic - America's oldest gay bar A truly coveted collectors' item, printed in Mapplethrope's lifetime making it more valuable. (The Atlantic House, or A-House, is the renowned Provincetown, Massachusetts institution considered by many to be the oldest gay bar in the United States. The Atlantic House was built in 1798 by Daniel Pease, Provincetown's first postmaster and was operated by him until his death in 1834. The building changed hands and names several times until 1871 when it was purchased by Frank Potter Smith and named Atlantic House, a name which has permanently stuck. During the 1920s, A-House was the hangout for writers like Eugene O'Neill and Tennessee Williams (a nude photo of Williams strolling on Provincetown beaches hangs in the bar), as well as any number of alternate-life stylists. In 1950, ownership was taken over by Reginald Cabral, and since then it has become both truly 'gay friendly' and the most popular watering hole in Provincetown. Since the early '50s, A-House has held weekly theme parties in the big room (their disco) and has had a dedicated Macho Room upstairs, a bar for 'Leather Men' and their admirers..) The present poster was also included in an exhibition on the dialogue between Lynda Benglis and Robert Morris at Neon Parc, TCB Art Inc. and Sutton Gallery Project Space in Victoria, Australia. The photograph depicted is Robert Mapplethorpe's "Brian Ridley and Lyle Heeter, 1979", depicting two leather-clad men in a living room interior, one seated in an arm chair and the other leaning beside it. The man in the armchair is handcuffed and shackled while his companion holds the chains. It is part of part of the ARTIST ROOMS collection acquired jointly by Tate with the National Galleries of Scotland. Below is a description of this work, courtesy of the Tate Gallery and the Mapplethorpe Foundation: "Power and role play in Mapplethorpe’s double portrait Two men pose for a photograph in their living room. The room is tastefully decorated with a select number of antiques and curtains that hang to the floor, forming a backdrop for a glass table top that balances on stag antlers. The couple are in costume; kitted out in full leather, they are dressed as real men. The younger of the two sits in an armchair; he plays The Slave. The chains that shackle him are controlled by his partner, whose boots rest firmly on an oriental carpet – the kind you buy from a specialist dealer – and who is also holding a crop that rests on the armchair. He is playing The Master. Together, they have rehearsed the gestures and motivations of their specific roles. They have collaboratively demarcated a safe space, having outlined their limits and agreed on a safe word. In sitting for the picture, they have invited Mapplethorpe to join their game. He plays The Photographer, and his task is to frame their private role play and make it public. They adopt an air of relaxed formality in a similar manner to that which may be assumed by a certain type of family when posing for the annual portrait they send out to friends at Christmas. Like these domestic stagings, the two men are engaged in an act of exhibitionism. Yet here, the sitters are playfully aware of all the oppression and subservience involved in performing normative roles behind closed doors. The resulting image implies a fourth participant: The Viewer. A new safe space is being attempted, but this time in public." Robert Mapplethorpe Biography Robert Mapplethorpe was born in 1946 in Floral Park, Queens. Of his childhood he said, "I come from suburban America. It was a very safe environment and it was a good place to come from in that it was a good place to leave." In 1963, Mapplethorpe enrolled at Pratt Institute in nearby Brooklyn, where he studied drawing, painting, and sculpture. Influenced by artists such as Joseph Cornell and Marcel Duchamp, he also experimented with various materials in mixed-media collages, including images cut from books and magazines. In 1969, he and Patti Smith, whom he had met three years earlier, moved into the Chelsea Hotel. Mapplethorpe acquired a Polaroid camera in 1970 from artist and filmmaker Sandy Daley and began producing his own photographs to incorporate into the collages, saying he felt "it was more honest." Mapplethorpe quickly found satisfaction taking Polaroid photographs, however, he rarely included them in his mixed-media works. In 1973, the Light Gallery in New York City mounted his first solo gallery exhibition, "Polaroids." Two years later, Sam Wagstaff, benefactor and mentor, gave Mapplethorpe a Hasselblad 500 camera and he began shooting his circle of friends and acquaintances—artists, musicians, socialites, film stars, and members of the S&M underground. He also worked on commercial projects, creating album cover art, including covers for Patti Smith and the band, “Television”, and a series of portraits and party pictures for Interview Magazine. In the late 1970s, Mapplethorpe grew increasingly interested in documenting the New York S&M scene. The resulting photographs are shocking for their content and remarkable for their technical and formal mastery. Mapplethorpe told ARTnews in late 1988, "I don't like that particular word 'shocking.' I'm looking for the unexpected. I'm looking for things I've never seen before…I was in a position to take those pictures. I felt an obligation to do them." His career continued to flourish. In 1977, he participated in Documenta 6 in Kassel, West Germany and in 1978, the Robert Miller Gallery in New York City became his exclusive dealer. Mapplethorpe met Lisa Lyon, the first World Women's Bodybuilding Champion, in 1980. Over the next several years they collaborated on a series of portraits and figure studies, a film, and the book, Lady: Lisa Lyon. Throughout the 1980s, Mapplethorpe produced images that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flowers and still lifes, studio portraits of artists and celebrities, to name a few of his preferred genres. He introduced and refined different techniques and formats, including color 20 x 24 inch Polaroids, photogravures, platinum prints on paper and linen, Cibachrome and dye transfer color prints. In 1986, he designed sets for Lucinda Childs' dance performance, Portraits in Reflection, created a photogravure series for Arthur Rimbaud’s A Season in Hell, and was commissioned by curator Richard Marshall to take portraits of New York artists for the book, 50 New York Artists. That same year, in 1986, Mapplethorpe was diagnosed with AIDS. Despite his illness, he accelerated his creative efforts, broadened the scope of his photographic inquiry, and accepted increasingly challenging commissions. The Whitney Museum of American Art mounted his first major American museum retrospective in 1988, the year before his death in 1989. His vast, provocative, and powerful body of work has established him as one of the most important artists of the twentieth century. Today, Mapplethorpe is represented by galleries in North and South America, Europe and Asia and his work can be found in the collections of major museums around the world. Beyond the art historical and cultural significance of his work, his legacy lives on through the work of the Robert Mapplethorpe Foundation. He established the Foundation in 1988 to promote photography, support museums that exhibit photographic art, and to fund medical research in the fight against HIV/AIDS. -Courtesy The Robert Mapplethorpe Foundation
  • Creator:
    Robert Mapplethorpe (1946 - 1989, American)
  • Creation Year:
    1991
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good vintage condition; staining on the back and gentle handling which will frame out.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745215303042

More From This Seller

View All
Process and Collaboration Met Museum poster (Hand Signed & dated by Chuck Close)
By Chuck Close
Located in New York, NY
Chuck Close Process and Collaboration (Hand Signed by Chuck Close), 2004 Offset Lithograph poster (Hand Signed & dated by Chuck Close in 2014) Boldly hand signed and dated by artist ...
Category

Early 2000s Pop Art Figurative Prints

Materials

Permanent Marker, Lithograph, Offset

RARE! Double Elvis Denver Museum poster hand signed 2x by Andy Warhol Provenance
By Andy Warhol
Located in New York, NY
Andy Warhol Exhibition Poster for Andy Warhol Exhibition at the Denver Art Museum Double Elvis (Inscribed to Maryanne and hand signed twice by Andy W...
Category

1970s Pop Art Portrait Prints

Materials

Lithograph, Offset, Permanent Marker

Uniquely Signed, dedicated and inscribed vintage card of Linda Rosenkrantz Finch
By Chuck Close
Located in New York, NY
Chuck Close Uniquely Signed, dedicated and inscribed vintage card, 1988 Thick card Boldly signed, dated, dedicated and inscribed in black ink on the front...
Category

1980s Pop Art Portrait Prints

Materials

Postcard, Ink, Lithograph, Offset

Sonic Youth at Frankfurt Music Hall (Signed by Raymond Pettibon and Kim Gordon)
By Raymond Pettibon
Located in New York, NY
Raymond Pettibon, Kim Gordon Sonic Youth at Frankfurt Music Hall (Hand Signed by Raymond Pettibon and Kim Gordon), 1990 Offset Lithograph Poster Boldly signed, and dated 2016 in ink ...
Category

1990s Pop Art Portrait Prints

Materials

Lithograph, Offset, Ink

The Presidential Inauguration for Barack Obama, uniquely Hand signed Chuck Close
By Chuck Close
Located in New York, NY
After Chuck Close Presidential Inauguration Poster Offset lithograph autographed by Chuck Close to lower center, Edition 396/2013. The Presidential Inau...
Category

2010s Pop Art Figurative Prints

Materials

Offset, Permanent Marker, Lithograph

David LaChapelle American Jesus poster (Hand Signed by David LaChapelle)
By David LaChapelle
Located in New York, NY
This work was published for the exhibition, American Jesus, held 13 July - 18 September 2010 at Paul Kasmin, New York in cooperation with Fred Torres Colla...
Category

2010s Pop Art Figurative Prints

Materials

Lithograph, Offset, Ink

You May Also Like

MICKEY FROM HEAD TO TOE
By Romero Britto
Located in Aventura, FL
Original, limited edition offset lithograph in colors on paper. Published by Walt Disney Art Classics. Artwork is in excellent condition. All reasonabl...
Category

21st Century and Contemporary Pop Art Figurative Prints

Materials

Paper, Lithograph, Offset

Milton Glaser Stevie Wonder poster 1968 (Milton Glaser posters)
By Milton Glaser
Located in NEW YORK, NY
Milton Glaser Poster for Stevie Wonder at New York's Philharmonic Hall, 1968: Vintage original 1968 Milton Glaser Stevie Wonder concert poster designed by the legendary designer for...
Category

1960s Pop Art Portrait Prints

Materials

Lithograph, Offset

Drawings 1942-1987 - Museum Moyland Castle (Pop Art, Iconic, Living Room)
By (after) Andy Warhol
Located in Kansas City, MO
Andy Warhol Drawings 1942-1987 - Museum Moyland Castle Offset Lithograph 1998 33 x 23.62 inches (84 x 60 cm) Unsigned as issued COA provided *Condition: Minute creasing along the ed...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph, Offset

Mirror Images
By (after) Roy Lichtenstein
Located in Kansas City, MO
Roy Lichtenstein Mirror Images Offset Lithograph 2000 33.07 x 23.22 inches (84 x 59 cm) Unsigned as issued Publisher: VG Bild-Kunst, Bonn - Germany COA provided The exhibition in Wo...
Category

1960s Pop Art Figurative Prints

Materials

Lithograph, Offset

Vintage James Rosenquist poster Amos Anderson (Hey! Let’s Go for a Ride 1973)
By James Rosenquist
Located in New York, NY
Original poster produced on the occasion of James Rosenquist’s exhibition at the Amos Anderson Gallery, organized by Petersburg Press. This vintage poster reproduces the artist’s 1973 lithograph Hey! Let’s Go for a Ride, based on the 1961 painting of the same title. A glistening green bottle top dominates the foreground, behind which a red-lipped woman...
Category

1980s Pop Art Figurative Prints

Materials

Offset, Paper

LONDON ARTS GALLERY POSTER
By Peter Max
Located in Aventura, FL
Original poster. Unsigned. Poster is in excellent condition. All reasonable offers will be considered.
Category

1970s Pop Art Figurative Prints

Materials

Offset, Paper

Recently Viewed

View All