Items Similar to The Zero Hour / - After the End of the World -
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Rudolf NehmerThe Zero Hour / - After the End of the World -1948
1948
About the Item
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Zero Hour, 1948. Woodcut on yellowish wove paper, 20 cm x 14.8 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer” in pencil lower right and inscribed “Matth. 5,4” lower left.
- The wide sheet margin somewhat wavy, the depiction in excellent, colorful condition.
- After the End of the World -
This woodcut is part of Nehmer's best-known series, his pictorial interpretation of the Sermon on the Mount (Matth. 5:1-7:29), created shortly after the end of World War II. The print illustrates the beatitude: Blessed are those who mourn, for they will be comforted (Mt 5:4).
The man seated on the left looks at the viewer with an expression of inner emptiness, while the people around him are sunk in despair and the world lies in ruins. All that remains is ruin and death - an apocalypse that has torn the world apart and yet, as a man-made work, does not cancel out the course of the world as such. The man's gaze formulates the questions addressed to the viewer: what has happened and what have I done?
About the artist
Rudolf Nehmer studied from 1932 to 1934 in Dresden at the private art academy founded by Ernst Oskar Simonson-Castelli under Woldemar Winkler and, after a brief interlude at the art academy, was a student in Willy Kriegel's studio until 1936. After his first one-man show in 1935 at the Kühl Art Exhibition in Dresden, which was progressive until the Nazi era, Nehmer was represented at the major German art exhibitions in the following years. In 1938 he stayed in Worpswede. From 1941 he was a soldier on the Western Front and in Denmark, returning to Dresden from British captivity in 1945. After the war, he had his first solo exhibition in 1945. Nehmer was a co-founder of the artists' association 'Das Ufer - Gruppe 1947' and in 1951 a founding member of the artists' cooperative 'Kunst und Zeit'. He had numerous solo and group exhibitions in the GDR, culminating in a retrospective at the Galerie Neuer Meister on the occasion of his 60th birthday.
GERMAN VERSION
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), Die Stunde Null, 1948. Holzschnitt auf gelblichem Velin, 20 cm x 14,8 cm (Darstellung), 43 cm x 30 cm (Blattgröße), unten rechts in Blei mit „Rud.[olf] Nehmer“ signiert und unten links mit „Matth. 5,4“ bezeichnet.
- Der breite Blattrand etwas gewellt, die Darstellung in ausgezeichnetem farbkräftigem Zustand.
- Nach dem Weltenbrand -
Der Holzschnitt gehört zu Nehmers bekanntester Graphikfolge, seiner kurz nach dem Ende des Zweiten Weltkrieges geschaffenen bildlichen Auslegung der Bergpredigt (Matth. 5,1-7,29). Das Blatt veranschaulicht die Seligpreisung: Selig sind, die da Leid tragen; denn sie sollen getröstet werden (Matth. 5,4).
Mit einem Ausdruck innerer Leere blickt der links sitzende Mann Richtung Betrachter, während die Menschen um ihn herum in Verzweiflung versunken sind und die Welt in Trümmern daliegt. Nichts ist geblieben als Verderben und Tod – eine Apokalypse, die die Welt aus den Fugen gehoben hat und als menschengemachtes Werk dennoch den Lauf der Welt nicht als solchen aufhebt. Der Blick des Mannes formuliert die an den Betrachter gerichteten Fragen, was ist nur geschehen und was habe ich nur getan?
zum Künstler
Rudolf Nehmer studierte von 1932 bis 1934 in Dresden an der von Ernst Oskar Simonson-Castelli gegründeten privaten Kunstakademie bei Woldemar Winkler und war – nach einem kurzen Intermezzo an der Kunstakademie – bis 1936 Schüler im Atelier von Willy Kriegel. Nach einer ersten Einzelausstellung im Jahre 1935 in der bis in die NS-Zeit hinein progressiven Dresdner Kunstausstellung Kühl, war Nehmer in den Folgejahren in den Großen Deutschen Kunstausstellungen vertreten. 1938 weilte er in Worpswede. Ab 1941 war er Soldat an der Westfront und in Dänemark und kehrte 1945 aus britischer Kriegsgefangenschaft nach Dresden zurück. Nach dem Kriegsende erfolgte bereits 1945 die erste Einzelausstellung. Nehmer war Mitbegründer der Künstlervereinigung ‚Das Ufer – Gruppe 1947‘ und war 1951 Gründungsmitglied der Künstlergenossenschaft ‚Kunst und Zeit‘. In der DDR erfolgten zahlreiche Einzelausstellungen und Ausstellungsbeteiligungen, die in einer Retrospektive anlässlich seines 60. Geburtstags in der Galerie Neuer Meister gipfelte.
About the Seller
5.0
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2014
1stDibs seller since 2023
19 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Shipping from: Berlin, Germany
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllThe Fieldman and Death / - Sowing and Harvest -
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Fieldman and Death, around 1948. Woodcut on yellowish wove paper, 16.8 cm x 15.8 cm (depiction), 42 cm x 30 cm (sheet size), signe...
Category
1940s Realist Figurative Prints
Materials
Woodcut
The tilt of the day / - Suffering and Love -
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The tilt of the day, 1948. Woodcut on yellowish wove paper, 14.3 cm x 15 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Neh...
Category
1940s Realist Figurative Prints
Materials
Woodcut
The Reconciliation / - Togetherness -
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Reconciliation, 1948. Woodcut on yellowish wove paper, 20 cm x 15 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer...
Category
1940s Realist Figurative Prints
Materials
Woodcut
Blessed are the peacemakers / - Dehumanization -
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), Blessed are the peacemakers, 1948. Woodcut on yellowish wove paper, 18 cm x 15.5 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[...
Category
1940s Realist Figurative Prints
Materials
Woodcut
Blessed are the spiritually poor / - The Abundance of Poverty -
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), Blessed are the spiritually poor, 1948. Woodcut on yellowish wove paper, 20 cm x 15 cm (image), 45 cm x 30 cm (sheet size), signed “Ru...
Category
1940s Realist Figurative Prints
Materials
Woodcut
The birds under the sky / - The Sunbird -
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...
Category
1940s Realist Figurative Prints
Materials
Woodcut
You May Also Like
La Penitenciaria
By David Siqueiros
Located in New York, NY
A very good impression of this early woodcut. Signed, titled, dated and numbered 145/300 in pencil by Siqueiros.
Category
1930s Realist Abstract Prints
Materials
Woodcut
Antique Map of The City of Rome by Sebastian Münster, 1549
By Sebastian Münster
Located in New York, NY
Sebastian Münster (German, 1488-1552)
LA SITUATION DE LA VILLE DE ROME
Antique Map of Rome, 1549
Possibly printed in 1964
Print on paper
Publisher:...
Category
1960s Realist Figurative Prints
Materials
Woodcut
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...
Category
1850s Realist Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category
1850s Realist Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry.
Artist: Toyokuni III/Kunisada (1786 - 1864)
Publisher: Ebisu-ya Shoshichist
Presented in a new blue mat.
Mat size: 19"H x 13"W
Paper size: 14.5"H x 10"W
Commentary on the triptych:
In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting...
Category
1850s Realist Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print
"The Courtesan Kashiwagi and...
Category
1820s Realist Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
