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Vaisseau Fantome - Etching - 19691969
1969
$1,671.45
£1,232.68
€1,400
CA$2,310.19
A$2,569.09
CHF 1,348.18
MX$31,328.82
NOK 17,041.47
SEK 15,977.06
DKK 10,658.42
About the Item
Vaisseau Fantome is an artwork realized in 1969.
Drypoint etching. Rives laid paper, signed and numbered. Edition 160/200.
Dimension. 40x26.5cm, Sheet. 69x52cm.
Ref. Michler/ Löpsinger No. 339.
Good conditions.
Prov. Private Collection, France
- Attributed to:Salvador Dalí (1904 - 1989, Spanish)
- Creation Year:1969
- Dimensions:Height: 15.75 in (40 cm)Width: 10.44 in (26.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1394371stDibs: LU650312182502
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Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press.
Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him.
In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness.
By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael.
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