Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Sandro Chia
Huge 6X6 Lithograph Italian Post Modernist Figurative Pop Art Children's Holiday

1984

About the Item

Sandro Chia (Italian, 1946) Children Holiday, 1984 Lithograph in colors on six sheets of Somerset soft white, 71 x 77 inches (180.3 x 195.6 cm) Numbered A.P. 13/15 (aside from an edition of 75) Hand signed, dated, and numbered in white pencil on one panel with the Circle Fine Art ink stamps, New York, on the reverse. all S. 35¾ x 25¾ in. (908 x 654 mm.) overall S. 71¼ x 77 1/8 in. (1813 x 1962 mm.) (6 panels) Editioned at: The American Atelier in New York City, April, 1984. This Lithograph is comprised of six (6) panels which are hinged together. The artist created all of the plates for each panel by drawing directly onto separate plastic surfaces with a variety of substances including lithographic crayon, stick, pencil and liquid tusche. These completed hand-drawn plastic sheets were then chemically transferred onto a total of 50 separate emulsion-coated aluminum lithographic plates (8 plates each for 4 panels and 9 plates each for 2 panels). Dominant Colors: Brown, Blue, Green & Black. Sheet Size: 71 ½” x 77” Copyright: Embossed © 1984 C.F.A. Corp. Chop(s): Embossed Circle Fine Art Logo; Embossed American Atelier Logo, Blind stamped lower left corner, Sandro Chia. Release Date: May, 1984 Publisher: Circle Fine Art Corporation, Chicago & New York Involvement of Artist with the Printer: The artist drew on each of the plastic sheets for the 6 panels, supervised mixing of the colors, pulled several proofs and made corrections. The artist was present during the printing. Each panel in the edition was pulled, one color at a time, under the direction of Technical Director, Mauro Guiffrida and Director of Flatbed Printing, Michel Tabard at The American Atelier, New York City. Each example of each panel in the edition was inspected by the artist. He signed each example of the lower right hand panel in white pencil, by hand. Biography Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he has travelled extensively in India, Turkey and throughout Europe before settling in Rome in 1970. During the 1970’s he began to exhibit in Rome and Europe, gradually moving away from conceptual works towards a more Pop Art, figurative style of painting. Between September 1980 and August 1981 he received a scholarship from the city of Monchengladbach in Germany where he moved to work for a year. The following year he moved to New York City, where he will remain for over two decades, with frequent trips back to Montalcino, near Siena in Italy. He has been part of the Italian “Transavanguardia” movement, exhibiting in many of the most important museums and galleries of the world. He has exhibited at the Biennale of Paris and San Paolo and three times at the Venice Biennale. His work has been part of internationally acclaimed museum group shows. Amongst his most important personal shows are exhibitions at the Stedelijk Museum of Amsterdam (1983), the Metropolitan Museum of New York (1984), the National Gallery of Berlin (1984, 1992), the Museum of Modern Art of Paris (1984); the Museums of Dusseldorf (1984), Antwerp (1989), Mexico City (1989); Palazzo Medici Riccardi in Florence (1991); the Museums of Karlsruhe (1992), Palm Springs (1993), Villa Medici in Rome (1995); Palazzo Reale in Milan (1997), the Boca Raton Museum of Art, Florida (1997), the Galleria Civica of Siena (1997), the Galleria Civica in Trento (2000), the Museo d’Arte of Ravenna (2000); Palazzo Pitti and the Museo Archeologico Nazionale of Florence (2002); and most recently the Duomo of St. Agostino in Pietrasanta (2005) and Galleria Nazionale d'Arte Moderna of Rome (GNAM) (2010). In 2003, the Italian State acquired three important works of his for the permanent collection of the Italian Senate at Palazzo Madama, and in 2005 two monumental sculptures were acquired by the Province of Rome and placed in front of its headquarters in Via IV Novembre, Rome. Today he lives between Miami, Rome and his Castello Romitorio wine-making estate in Montalcino, where he also follows the production of prestigious wines, amongst which the world-famous Brunello wine which has won the 'International Wine Challenge' for best red wine in 2010.
  • Creator:
    Sandro Chia (1946, Italian)
  • Creation Year:
    1984
  • Dimensions:
    Height: 73.5 in (186.69 cm)Width: 79.5 in (201.93 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    good. minor wear. not examined out of frame. looks good.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38215087432

More From This Seller

View All
Lithograph Italian Post Modernist Figurative Pop Art
By Sandro Chia
Located in Surfside, FL
Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he h...
Category

Late 20th Century Pop Art Figurative Prints

Materials

Lithograph

Lithograph Italian Post Modernist Figurative Pop Art
By Sandro Chia
Located in Surfside, FL
Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he h...
Category

Late 20th Century Pop Art Figurative Prints

Materials

Lithograph

1970 Silencio, Direccion Unica, One Way Spanish Political Etching Pop Art Print
By Juan Genoves
Located in Surfside, FL
Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

Lithograph Italian Post Modernist Figurative Pop Art - "In The Beginning"
By Sandro Chia
Located in Surfside, FL
Sandro Chia (Italian, 1946) Children Holiday, 1984 Lithograph in colors on six sheets of Somerset soft white, 71 x 77 inches (180.3 x 195.6 cm) Numbered A.P. 13/15 (aside from an edi...
Category

Late 20th Century Pop Art Figurative Prints

Materials

Lithograph

New York Night, Vintage Large Modernist Pop Art Sllkscreen
By Tom Slaughter
Located in Surfside, FL
5-color silkscreen on 2-ply museum board. edition of 60 hand signed and numbered. American, 1955-2014 Born in 1955, Tom Slaughter’s career began in 1983 with his first exhibition at the Drawing Center in New York City. Since, he has had more than 20 solo shows in cities including San Francisco, Miami, London, Vancouver, Cologne and Fukuoka, Japan. Slaughter had worked extensively with master printer, Jean Russell at Durham Press, creating numerous limited edition prints using his signature bold primary colors. He worked as a printmaker in collaboration with Durham Press for 25 years, and his editions are included in the permanent collections of MoMA and the Whitney Museum of American Art. He illustrated twelve children’s books, including “Boat Works,” “Do You Know Which Ones will Grow? ” – a 2011 Notable American Library Association book of the year – and collaborations with Marthe Jocelyn such as “ABC x 3,” “Same Same,” and “123.” These books have been translated into six languages. Slaughter also worked for the last ten seasons as the Art Director for the New Victory Theater. As a designer, he created everything from t-shirts to skateboard decks, beach towels as well as a line of wallpaper for Cavern Home. Tom Slaughter, an artist, designer, and illustrator, passed away on October 24, 2014. In his Pop-inflected prints, drawings, illustrations, paintings, and design work Tom Slaughter exudes a love of life. He makes few distinctions between his various artistic endeavors; “I paint, draw, cut paper, use a computer, and even an iPhone—it’s all the same hand,” he says. In a 2001 print...
Category

1990s Pop Art Figurative Prints

Materials

Screen

Japanese Woodblock Artist French Lithograph Fauvist Colors School of Paris
By Shungo Sekiguchi
Located in Surfside, FL
Shungo Sekiguchi, (Japanese, 1911-2002): Lithograph in color on Rives paper Hand signed in pencil lower right, hand numbered It appears to be the village of Montmarte in Paris T...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

You May Also Like

Rare 1960s Musee D'Art Moderne de la ville de Paris Limited Edition offset print
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968 Offset Lithograph Edition of 500 27 1/2 × 21 inches Unframed, not sig...
Category

1960s Pop Art Figurative Prints

Materials

Lithograph, Offset

Andy Warhol Bodley Gallery announcement 1957 (1950s Andy Warhol)
By Andy Warhol
Located in NEW YORK, NY
Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...
Category

1950s Pop Art Figurative Prints

Materials

Paper, Lithograph

Some Los Angeles Apartments - True, Stated 1st Edition of only 700 Artist Book
By Ed Ruscha
Located in New York, NY
Ed Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Book. Makes a terrific gift. This is a TRUE 1965 1st Edition of only 700 stated copies. (NOT to be confused with the second edition in 1970 which was published in a much larger edition of 3000 and NOT to be confused with an eponymous 1990 Whitney Museum publication.) A must have for Ruscha Fans. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. True First Edition Printed Wrappers with Glassine. Original Artist's Book. This marvelous vintage 1965 48 page book features 34 black and white illustrations and is in surprisingly fine condition. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies. This is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. "In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. Some Los Angeles Apartments, with its straightforward presentation of modern California domestic buildings, celebrated the vernacular architecture of Southern California." The Getty Museum "....It's perhaps fitting that Ed Ruscha - one of the central figures in late 20th century photography - does not consider himself a photographer. "I think photography is dead as a fine art," he told John Coplans...
Category

1960s Pop Art Figurative Prints

Materials

Lithograph, Offset, Mixed Media

UK exhibition poster of Grimms' Fairy Tales (Hand signed by David Hockney)
By David Hockney
Located in New York, NY
David Hockney Grimms' Fairy Tales (Hand Signed), 1996 Offset Lithograph Poster Boldly signed in ink marker on the top front 16 1/2 × 11 1/2 inches Unframed This signed offset lithograph poster was created on the occasion of the David Hockney: Grimms' Fairy Tales exhibition at the Farnham Maltings SC...
Category

1990s Pop Art Landscape Prints

Materials

Lithograph, Offset

Red Grooms Grand Central Terminal (signed and inscribed to famed estate atty)
By Red Grooms
Located in New York, NY
Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...
Category

1990s Pop Art Landscape Prints

Materials

Lithograph, Offset

The Pont Neuf, Paris Wrapped, from the Estate of Aviva and Jacob Bal Teshuvah
By Christo and Jeanne-Claude
Located in New York, NY
Christo, Christo and Jeanne-Claude, Javacheff Christo The Pont Neuf, Paris Wrapped (Hand Signed), from the Estate of Aviva and Jacob Bal Teshuvah, 1985 Offset lithograph poster (hand signed Christo et Jeanne-Claude) Signed Christo et Jeanne-Claude in orange crayon on the front Unnumbered 24 × 36 1/2 inches Unframed Hand signed Christo et Jeanne-Claude in orange crayon on the front unframed Accompanied by gallery issued Certificate of Guarantee & provenance This elegant vintage poster was published to promote and raise funds for Christo's famous The Pont Neuf Wrapped Project in the mid 1980s. From the estate of Jacob and Aviva Bal Teshuva - authors of books on Christo, collectors, philanthropists and friends of the artist. Provenance Estate of Aviva and Jacob Bal-Teshuva ABOUT THE PONT NEUF WRAPPED PROJECT: On September 22, 1985, a group of 300 professional workers completed the temporary work of art The Pont Neuf Wrapped. They had deployed 450,000 square feet (41,800 square meters) of woven polyamide fabric, silky in appearance and golden sandstone in color, covering: The sides and vaults of the twelve arches, without hindering river traffic. The parapets down to the ground. The sidewalks and curbs (pedestrians walked on the fabric). All the street lamps on both sides of the bridge. The vertical part of the embankment of the western tip of the Île de la Cité. The Esplanade of the Vert-Galant. The fabric was restrained by 8 miles (13 kilometers) of rope and secured by 12.1 tons of steel chains encircling the base of each tower, 3.3 feet (1 meter) underwater. The Charpentiers de Paris headed by Gérard Moulin, with French sub-contractors, were assisted by the USA engineers who had worked on Christo and Jeanne-Claude's previous projects, under the direction of Theodore Dougherty: Vahé Aprahamian, August L. Huber, James Fuller, John Thomson and Dimiter Zagoroff. Johannes Schaub, the project's director had submitted the work method and detailed plans and received approval for the project from the authorities of the City of Paris, the Department of the Seine and the State. 600 monitors, in crews of 40, led by Simon Chaput...
Category

1980s Pop Art Landscape Prints

Materials

Lithograph, Offset

Recently Viewed

View All