Stefano Della Bella

Camel Study - Etching by Stefano Della Bella -1640s

1640s

Camel is an artwork realized  in the 18th Century by an artisti follower of Stefano della Bella. Pencil Drawing.  The artwork is in good conditions . The artwork is depicted skill...

The Camels is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

Study of faces is an original old master artwork realized by Stefano Della bella in 17th Century. Black and white etching. The etching is divided in 2 panes, the measures of them fr...

Camel with two Humps is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and wa...

"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams. 3 3/4" x 7 3/4" art 16 3/8" x 19 1/2" frame Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy. Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period. During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors. Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...

Antique print of a camel and a dromedary. This print originates from 'Historiae Naturalis (..)' by John Johnston, published by Matthias Merian in 1657. Artists and Engravers: John...

An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...

Pair of antique etchings from the 17th Century by Johannes Van Den Hecke (1620-1670): he was a Flemish Baroque painter, draughtsman, printmaker and engraver, mainly known for his sti...