Abstract Geometric Figurative Prints

Morning Madness - Original Abstract Expressionist Lithograph Original black and white abstract geometric lithograph by Renee Flower (American). The image features a black and white ...

Original linen-backed Secret Ceremony vintage film poster. French, archival linen backed in fine condition, ready to frame. A woman and the girl s...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Tadashi Kawamata Untitled for the Relocation Project, Serpentine Gallery, London, 1997 Screenprint on wove paper Pencil signed, dated '97 and numbered 169/180. 34 1/2 × 24 3/4 inches...

"The Puppet Man, 1960. By Alexander Calder. Handwriting by artist "EA" down left. Image size: 42.25 x 19 in. Frame size: 50.25 x 27 in. Silver Frame Ha...

**90 DAYS ANNUAL SUPER SALE UNTIL APRIL 30TH** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT** This is limited edition of only 30 print...

Guy De Lussigny - Exhibition Poster is a vintage poster print realized in 1977. The artwork was realized on the occasion of the artist's exhibition. ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Swans. 1976., Paper, linocut, print size 52x51 cm; page size 80x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ma...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Sonia Delaunay - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes, cushions, waistcoats and lampshades, led to one of her first large-scale works, the painting of the Bal Bullier (1912–1913), a popular Parisian dance-hall. Sonia’s first “simultaneous dresses,” a mix of squares and triangles of taffeta, tulle, flannelette, moiré, and corded silk, date from this period. Friendship with the poet Blaise Cendrars...

Full-page, colour pochoir of costume designs after Sonia Delaunay-Terk's original drawings. Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paint...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Knots ok Fire: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Luisa Duarte works out of her stu...

Original Air France - "Italy"; U. S. edition in English. Size 24.5" x 39.5" Professional acid-free archival linen backed, ready to frame. Excellent condition lithograph. The ...

(after) Sonia Delaunay - Composition - Pochoir 1956 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Unsigned and unumbered ...

Original vintage poster: BASEL (Switzerland). In ancient Basel, they beat the drums at night to drive the evil demons from the city. Fastnacht. Museum linen backed. Basel; the city on the Rhein and much more! Printer and illustator: Schaffner. This image features the drum that you beat all night long to drive the bad spirits from the city. A drama mask...

Saint Micheal Temple, Pavia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

Original “Greece” vintage travel poster. Archivally linen backed and ready to frame. This is an original 1967 Greece vintage travel poste...

Peter Halley, Musée d'art moderne et contemporain - Saint-Étienne Métropole, France (Hand signed), 2014 Offset lithograph (Hand Signed by Peter Halley) 23 1/2 × 16 inches Boldly sign...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Richard Anuszkiewicz Celebrate New York (hand signed limited edition poster), 1974 Silkscreen on wove paper Hand-signed by artist, signed, dated and inscribed "to Lowell" on the fron...

Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

PAUL VON RINGELHEIM American Flag III, 1979 Silkscreen in Colors on wove paper Signed and numbered in graphite pencil on the lower margin front 31 × 23 inches Unframed Hand signed and numbered from the limited edition of 300. Born in Vienna Austria, but working in the US for many decades, Von Ringelheim, also known as a sculptor, brought his unique hard-edge minimalistic geometric abstraction outsider's take on the American Flag to this vintage 1970s limited edition, signed silkscreen. Unframed and in fine condition. Ringelheim was represented in the 1960s by the legendary Rose Fried Gallery...

"Checkered Woman Purple & Yellow" Artist unknown Silkscreen on paper c. 1970s 19"x24" unframed unsigned

I Mend Myself Monotype on Paper Contemporary Latin America Contemporary Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example ...

Uses and Customs - Queens attire is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the go...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: untitled Year: 1970 Medium: Silkscreen, Signed and numbered in pencil Edition: Epreuve d'Artiste Size: 23.5 x 19 inches

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Kazan. 1972, linocut, print size 48x50 cm; total 65x58 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main direction...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

The snow was blowing. 1973, Paper, linocut, print size 45x50 cm; total 60x58 cm artworks from the cycle "Story about Latvian rifleman" Dainis Rozkalns (1928 - 2018) Artist, graphic...

Full-page, colour pochoir after costume designs by Sonia Delaunay. Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni d...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Fatigue. 1977, Paper, linocut, print size 55x50 cm; total 70x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main ...

"Safety Dance" (2017) Screen-print on white Arches paper. Signed and numbered by the artist. Edition 0f 250. 50 × 70 cm / 19 7/10 × 27 3/5 in Dutch illustrator, painter, and animato...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Tycho Brahe Year: 1970 Medium: Silkscreen, Signed and numbered in pencil Edition: Epreuve d'Artiste Size:...

Wings. 1975., Woodcut, 70x50 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main directions of Rožkalns' professiona...

July 7, 1918. from cycle "Story about Latvian Riflemen". 1972, linocut, print size 48x50 cm; total 60x58 cm Dainis Rozkalns (1928 - 2018) Artist, graphic arti...

Si Me Rompes Me Remiendo 2 Medium: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric a...

With fire and sword. 1977, Paper, linocut, print size 55x50 cm; total 70x60 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publication...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Shapes in Grid Year: circa 1970 Medium: Silkscreen, Signed and numbered in pencil Edition: 37/190 Size: 30 in. x 22 in. (76.2 cm x 5...

~Parra~ "Sliding Doors" (2017) Screen-print on white Arches paper. Signed and numbered by the artist. Edition 0f 250. 50 × 70 cm / 19 7/10 × 27 3/5 in Dutch illustrator, painter, ...

Fracture. 1984, linocut, print size 47x58 cm; total 60x68 cm War theme. Tanks Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications...

Coffee Time Medium: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Lu...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Past and Present Year: Circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 35 Image Size:...

Fire Knots Medium: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Lui...

Knots in Green: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Luisa Duarte works out of her studio in Houston, Texas. Price is unframed. Price for frame can be quoted and turn around from wholesale frame is approximately 3 weeks or less. Luisa Duarte’s works has a strong connection with her Latin American roots, with special focus in the geometrical abstract movement, a movement adopted by Latin America during the late 50’s. It was very prominent in Venezuela. Probably the most prominent collection of geometric abstract art was given to MOMA by Patricia Phelps de Cisneros who now resides in the USA. Her works are focused on explorations of shapes, lines , color and also on memories of her childhood in a promising country. Those memories are transformed into dynamic works invoking good energies to bring back what we have lost. In these complex geometrical systems, objects intersect, merge and collide, producing negative spaces that call the viewer to attention. In some cases, the almost imperceptibly off-kilter placement of geometrical elements within a composition speaks to her emphasis on relationships - the objects always exist in relationship to each other. There is a constant interest in constructing and deconstructing, and the consideration of endless juxtapositions. There are other works by Luisa Duarte available on 1stdibs and can be found by searching her name. Bio: Luisa Duarte Venezuelan-American visual artist, based in Houston, Texas Selected solo show 2020 Inseparable Ties, TC Energy Building Atrium, curated by Kinzelman Art Consulting and presented by M-M Properties, Houston, Texas Mi casa ya no es, Solo show, MACZUL, Museo de Arte of Contemporaneo del Zulia, Maracaibo, Venezuela 2019 Artist of the Month, MADI Museum, Dallas, Texas 2018 The New Border, Site Specific Installation, Art League Houston, Houston, Texas 2017 Personal Scapes; Recent Prints, Galveston Arts Center, Galveston, Texas Museum Shows 2021 Withstand: Latinx Art...

Wassily Kandinsky (after) - Small World - Lithograph Conditions: excellent 32 x 24 cm 1952 From the art review XXe siècle, San Lazzaro Unsigned and unumber...

Pablo Palazuelo - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Pablo Palazuelo B. 19...

Valerio Adami - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Valerio ADAMI was born ...

Konrad Klapheck - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Konrad Klapheck (born...

Jean Fautrier - Naked Annabelle - Original Lithograph 1957 Dimensions: 32 x 24 cm Signed in the plate From the art review XXe siecle Unumbered as issued