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Art Subject: Bud
Nepenthe in Amphora - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored.
Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category
1870s Modern Figurative Prints
Materials
Lithograph
Gnetaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored.
Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category
1870s Modern Figurative Prints
Materials
Lithograph
Tulips - Large Scale Contemporary Floral Color Photograph
By Pia Clodi
Located in Zürich, CH
Dry Tulips - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate
Dry Tulips is ...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Carbon Pigment, Polaroid
$1,813 Sale Price
20% Off
ACANTHUS
Located in Aventura, FL
Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 30 x 29 inches. A...
Category
1990s Pop Art Figurative Prints
Materials
Paper, Screen
$1,687 Sale Price
25% Off
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Signed in pencil lower right (see photo)
Edition 250 for Associated American Artists
Publsihed 1950
Reference: AAA Cat.: 1950‑05; 1958‑01
AAA Index 1087
Condition: Excellent
Image size: 13 x 9 1/2 inches
Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana.
Life
Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers.
He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened.
He died on Mexico City on July 18, 1986
Career
After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche.
Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952.
He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946.
As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns.
He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...
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The painter. 1943, paper, lithograph, 56x46 cm
Located in Riga, LV
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Turn-about
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"Bon-a-tirer" impression (BAT)
This is the finished example that the artist approved as the model for the edition.
Published at Lakeside Studio with the master printer Jack Lemon.
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Image size: 18 3 /4 x 23 1/4" 47.63 x 59.06cm
Sheet size: 22 x 29 7/8"
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"CONGREGATION OF WITS: BOX SET", 41 silkscreen prints, double-sided, custom box
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"Kuhn Family Holiday Card" Walt Kuhn, Greeting Card by American Modernist
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