Urban Figurative Prints

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

William Anderson Sherwood (American, 1875-1951) New York Stock Exchange, Early 20th century Etching and aquatint Sight: 16 1/4 x 13 in. Frame...

The Street is a print realized by Maxime Juan in the early 20th century. Signed on the plate Etching on paper Good condition with slight foxing.

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of VII/XXX. Excellent condition.

London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5cm x 22cm Excellent Condition, no defect. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the p...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5cm x 22cm Excellent Condition, no defect. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the p...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

An idealized American suburb, but without an exit... Werger's mezzotint prints are masterful at capturing a mood and suggesting a story for the viewer to complete. He is known for h...

Juan Alcalde Alonso (Spain, 1918-2020) 'La calle', ca. 2000 - 2010 silkscreen on paper 20.5 x 26 in. (52 x 66 cm.) Edition of 225 ID: ALC1002-052-225 Hand-signed by author Excellent ...

Paris, coffee bar is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

Offset print. Hand signed Edition of 100.

View of Piazza Navona is a contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino  (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-signed in pencil...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Chiesa di S.Carlo ed Ambrogio al Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except f...

"Napoli" Serigraph 29" x 45.5" Edition 46/150 by Thomas Pradzynski Serigraph on paper Provenance: Private collection Comes in a frame (as shown on ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR is a town landscape scene depicting community people gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Chiesa di S. Marcello is a black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins wi...

Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...

Grande Curia Palace is an original hand-colored print realized by the Dutch artist Pierre Mortier in the second half of the XVII century. Original etching on paper. Signed on the p...

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of 93/199. Excellent condition.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Chiesa di S. Tomaso in Parione is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions ...

Image dimensions: 17.6 x 24.4 cm. Colberg is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein. This modern art...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Eduardo Naranjo (Spain, 1944) 'Calles y sueños (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Juan Alcalde Alonso (Spain, 1918-2020) 'Nueva York', 1999 silkscreen on paper 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: ALC1002-001-075 Hand-...

Juan Alcalde Alonso (Spain, 1918-2020) 'El rastro', 2003 silkscreen on paper 25.6 x 30 in. (65 x 76 cm.) Edition of 100 ID: ALC1002-036-100 Hand-si...

Bernardo Navarro Tomas (Cuba, 1977) 'Night time', 2018 etching, sugar aquatint on paper Deponte 300 g. 22.5 x 23.9 in. (57 x 60.5 cm.) Edition of 30 ID: NAA-106 Unframed

John Dixon Scott Norwich, Elm Hill 76 x 51 cm Lithograph Published by the Travel Association of Great Britain and N.Ireland this beautiful photographic image encouraged travel to No...

Camille HILAIRE Circus : The Outfielders Original lithograph Handsigned in pencil On Vellum 74 x 53 cm (c. 30 x 21 in) Excellent condition

Image dimensions: 11.8 x 15.4 cm. La rue du Canal is a beautiful black and white xilograph on paper, realized in 1880 by the French wooden engraver Charles Laplante (Sèvres, 1837 - Paris, 1903), after Hubert Clerget (1818-1899). Original title: La rue du Canal, à la Nouvelle-Orléans Signed on plate on sides. With an incredible freshness of line and a full mastery of the artistic technique, this original print portrays a wonderful glimpse of a street in New Orleans. Title on plate, on lower margin at the center. The original print is mounted in a white cardboard passepartout, cm 30 x 40. In excellent conditions, this beautiful modern artwork is an illustration of the French newspaper " Le Tour du Monde", and on the back has another illustration representing the general Sherman...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Escaliers de Montmartre is a vintage offset print after by Hakan Strand in 2013. Good conditions. Hand signed. The artwork is represented in a well-balanced composition.

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

G. Harvey’s "The Flower Cart" is a luminous celebration of urban charm and human tenderness, set in a time when the pace of life moved slower and beauty bloomed on every corner. In this atmospheric piece, Harvey channels his signature warmth and glowing light to turn an everyday moment—a street-side flower vendor’s cart...

Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...

The Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand-signed and numbered by artist with pencil. Numbered, Edition of V/XXV prints Good condition.

Heinz Wehlisch Building Color etching Signed by hand Size: 15.2 × 22.4 on 20.1 × 26.9 inches COA provided Heinz Wehlisch was a modern artist of the late 20th century and worked in Berlin. He was a member of the professional association of visual artists in Berlin from 1946-1980; his specialty were etchings but also watercolors based on old postcard...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Ducal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Quite Good conditions and aged ...

Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for worn margi...

Uses and Customs - Verona Arena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Strada Maggiore in Bologna is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

View of Paris XV-XVI is a lithograph print on paper realized in the Late 19th century Signed on the plate Good conditions. From the suite of "France Pittoresques, including costum...

Christo and Jeanne-Claude Christo (Hand Signed by Christo), 1971 Offset lithograph Hand signed in pencil by the artist on the lower right front Published by Annely Juda Gallery, Lond...

Chiesa e Monastero di S. Maria Annunziata is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Ro...

Uses and Customs - Piazza del Duomo di Pisa is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histor...

Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled ...