Troy Kinney

"Gavotte Pavlowa" Original Etching and Dry Point by Troy Kinney

1922

This refined etching and drypoint was realized by the esteemed American artist Troy Kinney in the United States circa 1920. The work features two dancing figures- a woman leaning against the male figure behind her, perhaps moments before being hurled into the air or spun in a graceful twirl. She dons a tutu and ballet slippers that are loosely and abstractly rendered against a white background. The gentleman sports a white shirt and black vest. Both of them have a shock of flaxen hair that offers a beautiful tonal complement to the textured muted jade background. With its refined color palate, clean modernist lines, and masterful handling of the medium, this piece would be a winning addition to any interior regardless of the style of interior. Given the artist's importance and placement within esteemed collections (private and institutional), this piece represents a winning acquisition for collectors of first rate modern art as well as exquisite objects. It comes presented in a custom gilded gallery frame and is in excellent vintage condition. Troy Sylvanus Kinney (December 1, 1871 – January 29, 1938) was an American artist, best known for his compelling works portraying dance performers, fanciful subjects, and classically styled nudes...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips Memorial Gallery in Washington and the Brooklyn Museum, to name only a few of the many institutions that feature his work. This print, with its highly considered composition and its loose style of figuration- deftly balances realism and abstraction- helps to explain his acclaim. This etching features a mother walking with her child and two goats in a forested glen. It is a Classic pastoral scene rendered in Costigan's inimitable style- somewhere between Theodore Rousseau and Thomas Hart Benton. These offer a beautiful glimpse of a bygone American pastoral...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

This beautiful and sophisticated etching and drypoint was realized by the esteemed American artist Troy Kinney in the United States circa 1920. The work features a lone female figure (presumable Vera) with an ombre gradient background standing on a rectilinear black and white floor. She hold the rumpled bunched fabric of a dress (the folded fabric harkening back to Renaissance portraits) as she looks off into the distance. With its sophisticated composition, and masterful handling of the medium, this piece would be a winning addition to any interior regardless of the style of interior. Given the artist's importance and placement within esteemed collections (private and institutional), this piece represents a winning acquisition for collectors of first rate modern art as well as exquisite objects. It comes presented in a custom gilded gallery frame and is in excellent vintage condition. Troy Sylvanus Kinney (December 1, 1871 – January 29, 1938) was an American artist, best known for his compelling works portraying dance performers, fanciful subjects, and classically styled nudes. He worked with dancers, including Ruth St. Denis and Anna Pavlova...

This original etching- "Naissance" (birth)- was realized by the esteemed German artist and master printmaker Wolfgang Gäfgen (b. 1936), circa 1960. Re...

This stunning etching, part I of the Treffpunkt Suite (meaning "meeting point" in German) by esteemed artist Jürgen Görg was realized in Germany during the latter half of the 20th century. Under colorfield blocks of sherbet orange- like a geometric tapestry of clouds- the composition depicts two figures in an intensely rapt and erotically charged meeting. On the left, female form sits on a slatted folding chair in a low cut silk dress with tousled hair and one hand elegantly outstretched behind her. Her other hand holds an oversized venetian mask in front of her face, as one strap from her evening gown slips off her shoulder revealing her collar bone. To her right, a man emerges from an indeterminate space holding an even larger white venetian mask that conceals his face with his hand reaching forward towards this lady's upper thigh. The nature of their interaction, as well as the setting and identity of these characters remains deeply enigmatic. Are they strangers meeting at a masquerade ball? Lovers involved in some sort of erotic game? The answers to these questions remain elusive, and serve to add intrigue and power to the work. Its masterful handling of the medium and clean modernist lines make this piece a winning acquisition for discerning collectors of first rate modern art as well as those with a penchant for unusual and compelling objects. It would be a winning addition to any style of interior from classic Mid Century Modern to contemporary. It comes presented in a custom gallery frame and is in excellent vintage condition. The work is signed, titled and numbered "52/150". Jürgen Görg is a German artist best known for his Renaissance-inspired paintings and drawings, often depicting erotic figures...

A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It was published in an edition of 110 hand signed impressions by Propyläe...

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is also hand numbered in pencil from the edition of 150, at the lower ...

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...

The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...