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Art Deco Lithograph by Louis Icart

Plate 93 from Johanna Goodman's Catalogue of Imaginary Beings Giclée print on Archival Matte Paper with Archival Pigment Ink In 2017 Goodman was awarded the New York State Council ...

"Marilyn Crying Diamond (Marmont Pink)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depic...

"Brando Bike (Priscilla Pink)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Signed Russell Young and dated 2008 -2-3 verso. Depi...

"Marilyn Chanel Diamond [Queens White (B+W Bright White)]" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depicts Marilyn Monroe h...

Rf Art Self Isolation Giclee on Hahnemuehle Velvet 2021 Size: 24.01 x 17.32 inches (61 x 44 cm) Edition: BAT from a limited edtion of 25 Signed and numbered by the artist *Framing O...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Carlo Carrà (Italian, 1881-1966) Untitled, 1916 Lithograph Sight: 15 3/4 x 11 1/4 in. Framed: 23 1/2 x 18 1/2 x 1 in. Edition 14/60 Numbered lower left, signed and dated lower right ...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Fisherman with Windmill - Antique Monotype Impressionistic monotype of a fisherman with nets in front of a windmill by John J. Witcombe (British, b. 1872 d. 1918.) Visible brushstro...

Wonderful lithograph of Icarus whom flew too close to the Sun by Avant-Garde artist Romulo Macció (Argentine: 1931-11 March 2016), circa 2000. Signed bel...