Items Similar to Capital Letter for Antiquities of Herculaneum Exposed - End of the 18th century
Want more images or videos?
Request additional images or videos from the seller
1 of 2
UnknownCapital Letter for Antiquities of Herculaneum Exposed - End of the 18th centuryEnd of the 18th century
End of the 18th century
About the Item
Capital Letter from Ancient Rome, from the Series"Antiquities of Herculaneum Exposed" is an original etching from the end of the 18th century.
In very good condition, except for some stains along the margins.
In this work the letter that appears in the foreground is the U. On the back, printed writings certainly derived from.
The etching belongs to the print-series Antichità di Ercolano Esposte (original title: Le Antichità di Ercolano Esposte), eight volumes of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (today Campania, Italy).
It was published between 1757 and 1792 by the Regia Stamperia and later these copies were delivered to selected recipients throughout Europe.
Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici.
The Bourbon king Charles commissioned fifteen scholars to create a new “Herculaneum Academy” to study the finds and publish the results of the archaeological excavations of the sites.
The engravings are of high quality and the accompanying text shows a large scholarship.
They were made by 25 leading artists involved by the King to prepare drawings and engravings on the finds, among which we find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli and Giovanni Battista Casanova.
The "Antiquity" was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research, following and increasing the interest of eighteenth-century society for classical culture and art in particular.
Through the exaltation of the classical concept of proportion and harmony, the book inspired the neoclassical movement in Europe, giving artists and decorators access to a vast workshop of Hellenistic motifs.
Ref .:
National Gallery (Washington), Mark J. Millard Architectural, IV (2000), n. 1.
L. Garcia y Garcia, Nova bibliotheca Pompeiana (2 v., 1998).
Royal Institute of British Architects, British Architectural Library ... First Printed Books, 1 (1994), no. 112.
U. Pannuti, Engravers and designers of the Royal Printing House of Naples in the 18th century: the publication of the Antiquities of Herculaneum, in Xenia antiqua, 9 (2000), p. 151-178.
V. Trombetta, The edition of The Antiquities of Herculaneum exhibited in Rendiconti of the Academy of Archeology, Letters and Fine Arts of Naples, 59 (1984), p.151-172.
- Creation Year:End of the 18th century
- Dimensions:Height: 3.35 in (8.5 cm)Width: 3.55 in (9 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,757 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Monaco, Monaco
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Liber Veritatis - B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITPlate 23 – From Liber Veritatis Aquatint on Copper, Imag. Dim: cm 33x47.5, Dim: cm 21x27, Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore o...Category
1810s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Corpo Satollo on Crede al Digiuno - Hand Colored Etching by C. Lasinio - 1788Located in Roma, ITCorpo Satollo Non Crede Al Digiuno is an original print realized in 1788 by Carlo Lasinio. Original etching hand-colored. Printed by Niccolò Pagni and Giovanni Bardi, Firenze (Ital...Category
1780s Old Masters Figurative Prints
MaterialsEtching
- Scène de Bistrot - Unknow Artist After Adrian Van Ostade - 18th CenturyLocated in Roma, ITImage dimensions: 15 x 12 cm. Scène de bistrot is a black and white etching with burin interventions on paper realized by an anonymous artist, after the Flemish artist Adrian Van Ostade...Category
Early 18th Century Old Masters Figurative Prints
MaterialsEtching
- Correccion - Etching and Aquatint by Francisco Goya - 1868By Francisco GoyaLocated in Roma, ITCorreccion is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition published in...Category
1860s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Aguarda que te Unten - Etching and Aquatint by Francisco Goya - 1868By Francisco GoyaLocated in Roma, ITAguarda que te unten is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Original etching on woven paper. The etching belongs to ...Category
1860s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Roman Costume - Etching by Bartolomeo Pinelli - 1819By Bartolomeo PinelliLocated in Roma, ITRoman Costume is an original hand-colored etching artwork realized by Bartolomeo Pinelli in 1819. Signed by the artist on the plate, dated lower left "Roma, 1819", titled in Italian...Category
1810s Old Masters Landscape Prints
MaterialsEtching
You May Also Like
- Church of St. Costanza, Rome: An 18th Century Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...Category
1770s Old Masters Interior Prints
MaterialsEtching
- Descending from the Cross, by TorchlightBy Rembrandt van RijnLocated in New York, NYRembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...Category
17th Century Old Masters Figurative Prints
MaterialsDrypoint, Etching
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Crucifixion: 18th Century Etching by Conrad Metz after Daniele da VolterraLocated in Alamo, CA"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran MoleBy Giovanni Battista PiranesiLocated in Alamo, CA"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...Category
1760s Old Masters Figurative Prints
MaterialsEtching
Recently Viewed
View AllMore Ways To Browse
Antique Book End
Antique Book Ends
Book Ends Antique
Architectural Design Of Antique House
Ancient Capital
Antique Letter N
Capital Letter
Capital Letter From Ancient Rome
Card Catalogue
Vintage Circus Books
Car Clocks
Matisse Paper Cut Outs
Picasso Drawing For Sale
Woodblock Woman
Vintage Travel Iron
Vintage Bouquet Of Flowers Drawing
Vintage Jack Of Hearts
Violin Still Life