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Orleans (New Orleans) - Original Woodcut - 1848

1848

Image dimensions: 7.2 x 12.7 cm. New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness. Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...

Image dimensions: 23.5 x 15.8 cm. La rue Saint-Louis is a wonderful black and white xilograph on paper, realized in 1880 by Bertrand, after Valnay. Signed on plate on sides. Title ...

The hand-colored print titled "New York," published in 1842, presents a detailed and picturesque view of the cityscape of New York as it appeared in the early 19th century. The title "New York" is centered below the image. Below the title, the text reads "LONDON: Published by Thomas Kelly. 17, Paternoster Row," indicating the publisher and location of publication in London. Additionally, the text "S. Davenport. Sculp." is printed beneath the image, signifying that the engraving was done by S. Davenport. Description of the Image: - **Perspective**: The image provides a broad view, likely from an elevated point, showing the expanse of the city. The perspective gives a sense of depth, with the street extending into the distance. - **Central Street**: A wide, unpaved street runs down the center of the image, flanked by rows of buildings on both sides. This street is bustling with various activities. - **Buildings**: The buildings are primarily two to three stories tall, featuring a mix of architectural styles typical of the period. Some have distinct red roofs, adding a touch of color to the scene. - **Churches**: There are several prominent churches with tall spires visible in the background, indicating the importance of religious institutions during that time. - **Foreground**: In the foreground, to the right, there is a large, columned building, which might be a significant public or religious structure. - **Activity**: The street scene includes horse-drawn carriages and pedestrians, capturing the everyday life of the city's inhabitants. - **Harbor**: In the far background, you can see masts of ships, indicating the proximity of the harbor and the importance of maritime activities to the city. Artistic and Historical Context: - **Engraving Style**: The work of S. Davenport, an engraver, suggests fine detail and precision typical of hand-colored prints of that era. - **Historical Significance**: This print serves as a valuable historical document, offering a glimpse into the urban layout and architecture of New York City in the early 1840s. - **Publishing Context**: Being published in London by Thomas Kelly indicates a transatlantic interest in the growing metropolis of New York, reflecting its emerging significance on the global stage. This print is not only an artistic representation but also a historical record, encapsulating the essence of New York City during a period of significant growth and development. Identifying specific buildings from a historical print like this one can be challenging, especially without modern landmarks for direct comparison. However, a few notable buildings and features from New York in the early 1840s could potentially be recognized based on historical context and architectural details. Potential Recognizable Buildings: 1. **St. Paul's Chapel**: Given its prominent spire and proximity to the center of early New York...

Antique print titled 'De Nieuwe Koornbeurs, in 1786'. Original antique print of the 'Korenbeurs' in Amsterdam, the Netherlands. The Korenbeurs ("grain bourse") was a 17th-century commodity market in Amsterdam where grain was traded. The building stood on the banks of the Amstel, on the western side (Nieuwezijde) of the Damrak. It was directly south of the Oude Brug bridge, on a spot now occupied by the former stock and commodity exchange Beurs van Berlage...