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The Profile - Etching - 17th Century

17th Century

The Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind",...

Portrait after Michelangelo is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching wa...

Portrait after Raphael is anetching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching was real...

Portrait After Raphael is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching was rea...

Sketch of a Man in Profile 17th Century French School Ink on paper Image Size: 10 1/2 x 7 inches (26.5 x 17.5 cm) Framed Provenance The estate of Joseph McCrindle Christies Old Masters and British Pictures and Old Master Drawings Sale 12th December 2008 This highly worked picture shows us a man depicted in profile is seen interacting with a scene that extends beyond the boundaries of the paper's composition, the pen strokes intricately portraying the man's face, rendering a detailed, textured complexion. He points his left hand out to something in the distance, with a look of almost alarm. The artist Giovanni Benedetto Castiglione (1609-64) did a series of oriental head studies. The exotic headgear that he wears and this type of oriental head studies, had its principal source was of course Rembrandt, who etched many similar heads during the 1630s. In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Ottoman costume...

Circle of Leonardo da Vinci (Vinci, 1452 – 1519, Clos-Lucé) First half of the 16th century Study of a Bearded Man in Profile, Facing Right Red chalk on paper 8 × 6 cm Unsigned Provenance: Private collection This delicate drawing belongs to the Lombard school and was created by an artist working under the influence of Leonardo da Vinci, very likely within his close circle. The profile recalls the Apostle at the far left of The Last Supper, and may even derive directly from Leonardo’s own compositional sketches for the mural (Gallerie dell’Accademia, Venice, inv. 254). While Leonardo’s version carries a profound religious and political message, this sheet reveals a more naturalistic interpretation. The precise outlines and the controlled hatching distinguish it from the master’s hand, yet the subtle modeling of the face in red chalk shows clear echoes of Leonardo’s refined technique. Comparable examples are preserved in the Royal Collection Trust, Windsor, including The Head of an Old Man Crowned with a Wreath of Laurels (recto) and The Head of an Old Man in Profile, both originally from Francesco Melzi...

The engraving by D. Beauvais, part of the "Recueil de XC Têtes" series, presents a compelling juxtaposition of two heads: an elder, bearded man on the left, and a youthful, cherubic ...

Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed.