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Still Life - Original Screen Print on Paper signed Piscini - Late 20th Century

Late 20th Century

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Still Life is an original screen print on paper, realized by Domenico Purificato in the 1970s. Hand-signed in pencil on the lower and numbered on ...

Wildflowers is a modern artwork realized by Franco Bocchi in 20th century. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin, LX/a. E...

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin, ex. 128/200. ...

Title: Dust Edition: 35 Signed: Yes Paper: Museum Quality Somerset Velvet 330gsm Cotton Rag Size: 70x43.8cm Media: Archival Pigment Giclee Print Published: November 30th 2020

Screen print in colors on lightweight board folded into a three-dimensional pyramid. Hand signed and numbered on interior edge by Roy Lichtenstein Numbered 41/300 (only approximate...

The Most Important Film Ever Made, 1972 Color screen print and collage, from the edition of 70. 15 x 17 in 38.1 x 43.2 cm Published by the artist with Marlborough Graphics at the Kelpra studio in 1972. This work is also in the collections of TATE London and the Victoria & Albert Museum. the price reflects the fact that there is no backing page. Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed lithograph and silkscreen book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait. R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...

Avocado and Tomato Vine Diptych A beautiful CYMK silk screen print by Gavin Dobson. Based on an original gouache painting of the breakfast classic, this popular piece of art is indiv...