Utagawa Kunisada III

Man in Blue Coat Carrying Goods - Woodcut by Utagawa Kunisada - 19th Century

19th Century

This figuration of a theater actor in a black coat on stage is the work of the Japanese artist Utagawa Kuniyoshi /1798-1861). The brilliance of the colors, the graphic precision as ...

This magnificent woodcut print signed Toyokuni III represents a Ronin in the night, armed with a club, and was realized by Utagawa Kunisada (1786-1865) in the mid 19th Century. The ...

Der Weisskunig is an ancient set of Woodcuts realized in 1775, There are 14 plates from the Weisskunig series, the fictitious biography of Emperor Maximilian I...

A L'Image Notre Dame is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

The Arrival of the Angels is an original artwork realized by Jean-Baptiste Huet (1745-1811) in the Late 19th Century. Etching print. Signed on plate. Good conditions. The artwork...

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century. Signed on the plate. Good condi...

Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...

Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...

Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...

A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...

A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...

Georg Lemberger (German, c. 1490 – 1540) Matthew the Evangelist Woodcut on paper 5.3/4 x 3.3/4in. (14.5 x 9.6 cm. ) Hollstein, 7. This is from the New German bible...