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Various ArtistsColosseum - Lithograph - 18621862
1862
$177.33
£133.51
€150
CA$244.74
A$274.16
CHF 142.60
MX$3,344.19
NOK 1,815.46
SEK 1,711.85
DKK 1,141.95
About the Item
Colosseum is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, of the militia, of the religion of all the nations from the most remote times up to the present day".
Good conditions with slight foxing.
- Creator:Various Artists (Italian)
- Creation Year:1862
- Dimensions:Height: 11.42 in (29 cm)Width: 7.49 in (19 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1478141stDibs: LU650314202612
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The Coliseum of Rome - Original Ink Drawing
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Christopher Ganz
The Coliseum of Rome, 2014
Colored pens & chalk
13h x 9.50w in
33.02h x 24.13w cm
Frame: 14.25h x 17.25w in
CG0006
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
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