Will Barnet

MORNING

1951

Doyle, John L. (American, 1939 - 2010). THE GREAT HUMAN RACE - MERCHANTS AND TRADERS. Fishy Whale Press, Rockford, IL., 1983. Boxed portfolio of 20 lithogra...

Hirsch, Joseph. MOTO. Cole 20. Lithograph, 1950. 18 1/2 x 16 1/4 inches; 470 x 413 mm. Edition of 75, signed in pencil. Printed on Arches paper by Gaston Dorfinant, Paris. A fine imp...

Citron, Minna (American, 1896-1991). SUBWAY TECHNIQUE. Lithograph, 1933. Edition of 20, numbered 10/20, titled, and signed in pencil. A few spots of foxing in the margins, away from ...

Barnet, Will. WOMAN AND CATS. Cole 134. Lithograph in colors, 1969. Edition of 100, titled and signed in pencil. Printed on Arches by Mourlot, NY. 21 x 22 1/2 inches. In excellent co...

Flowers is a Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand-signed and numbe...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

"Kina Lillet" original 1937 lithograph poster by artist Robys. Affiches Stentor Etab. Marboeuf 91 Rue Reaumur Paris printed on front lower left. Robys 37 o...

Ward Lockwood (1894 - 1963) New Mexico, Texas, Kansas / Mexico Artist Image Size: 12 x 16 Frame Size: 17.75 x 21.75 Medium: Charcoal "Siesta By The Oven" Biography Ward Lockwood (1894 - 1963) Born in Atchison, Kansas, Ward Lockwood became a key painter in the Taos, New Mexico art colony, but diverse modernist art styles including Expressionism*, Cubism*, Surrealism* and Constructivism* reflected his wide ranging travels in Europe and the United States. From the 1920s to the 1960s, his work embraced a series of stylistic changes characteristic of people who influenced him, including John Marin and Andrew Dasburg. He studied at the University of Kansas, and from 1914 to 1917 at the Pennsylvania Academy of Fine Arts* where he was introduced to Modernism*. In 1917, he began a two-year enlistment in the Army and served in France, and in 1921, a return visit to France led to his being influenced by Paul Cezanne and Vincent Van Gogh. During this time, he studied in Paris at the Academie Ranson*, but got bored with the academic climate of that school and spent time at the Louvre and galleries along the Rue de la Boetie. He painted from local models and traveled around France with fellow Kansan, Kenneth Adams. He was much impressed with the diversity of contemporary art movements including Futurism*, Cubism, and Dadaism*. His work from this period shows influences of Geometric Abstraction* and Impressionism. In 1922, he returned to Kansas, committed to the idea that an artist does best painting in his own culture. He worked as a commercial artist and also did portrait commissions. In 1926, he and his wife, artist Clyde Bonebrake, moved to Taos, New Mexico because of his friendship with Kenneth Adams, who was already established there. Lockwood became interested in the Taos Society of Artists...