William Harry Warren Bicknell

Portrait of an Elderly Woman Praying at a Table Etching

1914

Black and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...

Modern abstract earth toned figurative etching by Mexican artist Rufino Tamayo. The work features a simplified portrait of a face or mask set against a grey and yellow toned backgrou...

Modern abstract earth toned figurative etching by Mexican artist Rufino Tamayo. The work features a simplified portrait of a figure centered in a window set against a grey toned back...

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

William Woollett, Engraver Proof before letters. Etching by Francesco Bartolozzi after Thomas Hearne, 1795. Wove paper. William Woollett (1735-85) was an important English 18th cen...

Garibaldi is an original lithograph realized by an anonymous artist in 1980 ca. In good condition. Passpartout: 50 x 35 The artwork represents general Garibaldi. the artwork is de...

'Charles Wilkes' Steel-engraving after Alonzo Chappel's sketch after a photograph. 1864. Facsimile signature under the engraving. Charles Wilkes (1798 - 1877) was an American naval...

'N Poussin' Steel-engraving, by J Posselwhite after a self-portrait by Poussin. C1850. 125mm by 100mm (image) 270mm by 175mm (sheet) Nicolas Poussin was a French painter who was ...