
Mr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 9
William HogarthMr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION1746
1746
Price:$600
$750List Price
About the Item
- Creator:William Hogarth (1697 - 1764, British)
- Creation Year:1746
- Dimensions:Height: 16.5 in (41.91 cm)Width: 20.56 in (52.23 cm)
- Medium:
- Movement & Style:
- Period:1740-1749
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU41138514082
William Hogarth
William Hogarth (1697-1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Hogarth's work was extremely diverse, ranging from serious realistic paintings and portraits to satire and moralistic pieces filled with symbolism. He often communicated his moral message in a series of paintings and engravings, such as: A Rake's Progress, Marriage A-la-Mode and A Harlot's Progress. He was by far the most significant English artist of his generation and inspired a movement of English caricaturists and satirists, including James Gillray (1756-1815), Thomas Rowlandson (1757-1827), Isaac Cruickshank (1764-1811) and George Cruickshank (1792-1878). His work has been studied intensely for the greater than two and a half centuries since his death with several academic scholars focusing their careers on the analysis of every element of each of his creations.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1977
1stDibs seller since 2016
288 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllHERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
By Giulio Bonasone
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574)
HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230)
Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
Category
16th Century Old Masters Figurative Prints
Materials
Engraving
DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint
By John Martin
Located in Santa Monica, CA
JOHN MARTIN (1789 – 1854)
DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...
Category
1830s Old Masters Interior Prints
Materials
Mezzotint
OBSEQUIO á el MAESTRO (‘A gift for the master’)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828)
OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category
1790s Old Masters Figurative Prints
Materials
Etching, Aquatint
The Golden Calf - Nuremberg Chronicle, (528 Years Old)
Located in Santa Monica, CA
NUREMBERG CHRONICLE, 1493
THE GOLDEN CALF (THE CALF OF GOD) 1493
Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...
Category
15th Century and Earlier Old Masters Figurative Prints
Materials
Woodcut
BATHOS / Tail PIece
By William Hogarth
Located in Santa Monica, CA
WILLIAM HOGRATH (1767- 1764)
THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I)
Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto.
This Hogarth’s last print is fascinating as it is prophacy about death.
Various institutions have interesting commentaries - to wit:
Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects.
Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).”
Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin.
British Caricature...
Category
1760s Old Masters Figurative Prints
Materials
Woodcut
Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Figurative Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
You May Also Like
Study of Six Heads - Etching by J.-J. Boissieu
By Jean-Jacques de Boissieu
Located in Roma, IT
Study of Six Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Six study od heads ( four elder men, a middle-aged man at the center, and a woman with turbant) etched with a superb technique and an incredible draftsmanship are drawn to different scales and with different degrees of finish, have the dignity of six different portraits with the same passion and effort.
Signed on plate on lower right margin “De Boissieu”. Inscription ( number plate) on higher-right corner "10".
This old master’s original print with lifetime impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time,do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Animal Prints
Materials
Drypoint, Etching
Herd of Horses - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Herd of Horses is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized t...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Engraving, Etching
Herd - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Herd is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The a...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Engraving, Etching
$180 Sale Price
25% Off
Horse Drivers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Horse Drivers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through sho...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Engraving, Etching
The Sacrifice of Iphigenia
By Nicolas Beatrizet
Located in Roma, IT
Black and white etching and drypoint on wire rod paper, representing the myth of the sacrifice of Iphigenia. On the altar is inscribed "Iphigenia" in capital letters. On the lower left margin is inscribed "N. Beatrizet Lo Taringus F.", slightly discolored (Beatrizet usually signed his plates with the letters "N. B. L. F."). At the center of the lower margin is inscribed "Romae, Michaelis Tramezini formis cum privilegio summi Pont. M.D.L.III".
After a drawing attributed to either Michelangelo Buonarroti, Salviati, or Baccio Bandinelli...
Category
16th Century Old Masters Figurative Prints
Materials
Drypoint, Etching
$3,247 Sale Price
25% Off
Study of Five Heads - Original Etching by J.-J. Boissieu
By Jean-Jacques de Boissieu
Located in Roma, IT
Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced.
In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way.
Signed on plate on lower right margin “De Boissieu”.
This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Animal Prints
Materials
Drypoint, Etching