Henri de Toulouse-Lautrec

Moulin Rouge: La Goulue by Henri de Toulouse-Lautrec, Maîtres de l'Affiche, 1898

1898

A beautiful red-haired woman enjoys a Quinquina Dubonnet aperitif with her white cat companion. In early advertising, artists commonly used a redhead as an example of modern-thinking...

Elegantly-dressed society women observe silhouettes of Commedia dell’Arte characters Pierrot, Columbine, and Harlequin at the shadow play theater Le Cénacle. In a manner reminiscent...

Jules Chéret’s poster advertising the Théâtre Optique (Optical Theatre) immortalized a momentous convergence of technology, culture, history, and art with the 1892 debut of Emile Reynaud’s praxinoscope at the Musée Grévin in Paris. Reynaud presented his Pantomimes Lumineuses, the world’s first animated films, using his innovative system which projected light through moving pictures to offer illuminated pantomimes. Among the three short films Reynaud screened through his praxinoscope was Pauvre Pierrot (Poor Pierrot), a story of Pierrot courting Columbine based on the timeless archetypal love triangle featured in many Commedia dell’arte pantomimes. As a member of the Cercle Funambulesque (roughly “Friends of the Tightrope-walkers”), a French society which championed the contemporary creation of Commedia dell-arte-inspired pantomimes, Jules Chéret was often inspired by Pierrot and produced a large number of works depicting him, often with his beloved Columbine. Cheret’s involvement with the Cercle, combined with the immense popularity of these archetypes in the late 19th century, meant that they appeared frequently in his works. This work comes from the extremely scarce edition of 25 strikes on Imperial Japon paper, a mulberry bark-based stock inspired by the smooth-surfaced papers used in Japanese printmaking. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. The use of marbled Imperial Japon paper allows inks to rest upon its surface rather than being absorbed by a more porous paper stock. An extremely scarce fraction of the edition of 25 are estimated to have survived to date. Stone lithograph of Jules Chéret’s Musée Grévin...

A fashionable brunette smiles playfully at her black cat while enjoying JOB cigarette papers. Lithograph of Georges Meunier’s Papier à Cigarettes JOB, ...

Vintage "Moulin Rouge" lithograph poster by Henri de Toulouse-Lautrec, circa 1950s. The piece measures 21" x 31" and is nicely presented in a black wood frame. Nice vibrant colo...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

Beautiful reprint of the famous Parisian poster by Henri de Toulouse-Lautrec, published by Imprimerie Chaix. Features the iconic Moulin Rouge dancers...

Moulin Rouge. La Goulue and her sister is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: Moulin Rouge. La...