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Henry Moore
Two Heads from La Poesie

1975

$4,000
£3,090.69
€3,573.13
CA$5,652.29
A$6,339.42
CHF 3,319.86
MX$77,030.11
NOK 42,156.60
SEK 39,967.43
DKK 26,671.57

About the Item

From the suite La Poesie, Les Poetes, a set of 8. Henry Moore was invited by Georges Pompidou to illustrate a group of French poets Catalogue Raisonne by Cramer (#324) Henry Moore was the foremost British sculptor of the 20th century. Monumental, abstract, and figural, his cast bronzes imply human and animal form through smoothly twisting organic curves and rectilinear joints. Moore launched his career through his exploration of the then-contemporary movement of Primitive Art, bringing the influence of non-Western art forms into a Modernist practice.
  • Creator:
    Henry Moore (1898 - 1986, British)
  • Creation Year:
    1975
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 15 in (38.1 cm)
  • More Editions & Sizes:
    Edition of 110Price: $3,500
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1977210307852

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This etching was executed in 1970 for Paroles Peintes IV, and is from the edition of 50 on Johannot wove paper. A limited number of signed proofs were also issued; this impression is signed and numbered 47/50. Editions O. Lazar-Vernet, Paris 1970 Medium: original etching. Plate size 13 1/2 x 9 1/2 inches (344 x 243 mm). Often regarded as the father of modern British sculpture, Henry Moore’s large-scale bronze and marble sculptures can be found in public parks and plazas around the world. Working in various styles and mediums, Moore is perhaps best known for his highly abstract and interpretive renditions of the human figure, often portrayed in the reclining position. He was influenced by Classical, Pre-Columbian, and African art, and by Surrealism; his biomorphic style has been compared that of Salvador Dalí and Jean Arp. Moore was a longtime friend and colleague of fellow sculptor Barabara Hepworth, having met at the Leeds School of Art around 1919. He also admired the work of Constantin Brancusi, whose organic abstract style resonated with Moore’s belief that observation of nature is essential to artistic creation. Moore himself inspired many artists including his former studio assistants Anthony Caro and Richard Wentworth...
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