Framed Interior Prints

Daumier was a master of French satire and caricatures. In this lithograph entitled "TYPES PARISIENS NO. 1, Eh bien malin! comment le trouvez vous celui-là! - Oui, oui, mais enfin - O...

Hot Sauce, Lone Pine, California, photograph from Richard Heeps series Dream in Color. This interior vignette captures the table of a classic American diner. The color combination of...

A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...

Martini Corner, is an interior photograph by Richard Heeps, captured in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century f...

David Douglas Duncan: 1916-2018. Well listed photographer who had rare access to Picasso. He took numerous photos of the master at work, and at pl...

Guy Gee, Venezuela Each artwork by Gee has been digitally reimagined from an original postage stamp. Printed on 350gsm G. F. Smith card, cut out and finished by hand, the artwork is...

Guy Gee, Lundy Each artwork by Gee has been digitally reimagined from an original postage stamp. Printed on 350gsm G. F. Smith card, cut out and finished by hand, the artwork is the...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Les Coquettes II by Isaac Maimon, Israeli/French (1951) Date: 1994 Screenprint, signed and numbered in pencil Edition of 202/275 Image Size: 27 x 20 inches Size: 31.5 in. x 23.5 in. ...

Ordinary Places Sixteen Piece Installation, British vintage interior photography by Richard Heeps. Richard Heeps 'Ordinary Places' Series...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

(Sorry for the reflections on the glass in the photos.) A little boy runaway has returned home, hat in hand, to the relief of his poor beleaguered mother (burdened with four other children, apparently) and the upbraiding of his grandmother. So many fabulous details in this 19th-century etching, in addition to its amazing engraving work (every bit of it originally incised on a metal plate!). Placard on back says "Published exclusively for members of the Crosby Opera House Art...

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

Part of Richard Heeps 'Dream in Colour' Series, this cool Palm Springs interiors picture featuring a vintage telephone on a nightstand combines gorgeous colours and dreamy nostalgic ...

A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...

This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...

Artist: Hans Bellmer, German (1902 - 1975) Title: Souterrain No. 13 Year: circa 1965 Medium: Lithograph on BFK Rives, signed and numbered in pencil Edition: 100 Paper Size: 19.5 x 26...

Beautiful figurative limited edition lithograph by Robert Baxter (American, b. 1933). Signed and numbered "R. Baxter 20/75" lower left. Displayed with wh...

Vibrant cubist still life, a hand signed limited edition lithograph print by Fausto Maria Casotti (also known as Cauri) (Italian, b. 1924). Bold colors and blocky shapes characterize...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a soft pink color palette and a vintage style with a hint of flamingo kitsc...

This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...

This artwork titled "Toast" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 98/300 in pencil by the artist. The image size is 23.75 x 9.5 inches, framed size is 30.25 x 16.25 inches. The artwork is in excellent condition, the frame is slightly damaged, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...

Set of four framed artworks, architecture street photography of the iconic cities London, Milan, New York and Hong Kong. The artworks are typical of Richard ...

Café Culture, set of three artworks by Richard Heeps, featuring 'Cordial Campari' Milan, 'Nicely's Café' Mono Lake California, 'Milkshake II' Clacton o...

Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...

If Series: Space Place Peter Max, German/American (1937) Date: 1981 Screenprint, signed and numbered in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: 16....

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

'Ray of Light', part of Richard Heeps Vietnam series 'This is Not America', this unusual photograph of trees has a spiritual quality. This artwork is a limited edition of 25 gloss ...

A grouping of three engravings depicting classical Italian architectural features held in the National Museum of Naples, entitled "Bronze Hydria", "Marbre Naissance de Bacchus" and "...

Interior photograph from Richard Heeps, Prefab series. "Prefab came about as an offshoot of 'A View of the Fens Car with Wings' and I feel the square format artworks are a continuati...

Martini Corner, interior photography by Richard Heeps, photographed in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century fe...

Artist: Marcel Gromaire Medium: Lithograph Title: Flammes Intérieures Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the plate Framed Size: 22" x 18 1/...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a soft pink color palette and a vintage style with a hint of flamingo kitsc...

Part of Richard Heeps 'Dream in Colour' Series, this cool Palm Springs interiors picture featuring a vintage telephone on a nightstand combines gorgeous colours and dreamy nostalgic ...

James McQueen, Be Careful what you wish for, 2022 Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 101.5 × 67.5 cm (40 × 26 3/5 in) Edition of 95 James...

Set of four framed artworks, architecture street photography from the iconic cities London, Milan, New York and Hong Kong. The artworks are typical of Richar...

Joan Miro, L’Oro dell’Azzurro (Framed) Giclee print Framed in a sustainably sourced black frame gallery with UV protection acrylic glazing 67 x 80 cm 'The Gold of the Azure' w...

Positano Bath from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contempor...

Classic Lincoln cars, parked outside the famous mid-century building, the La Concha Motel in Las Vegas. The cinematic scene of now Lost Vegas, evokes image...

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

El Morocco Salon, photographed in the historic El Morocco Motel on the famous Las Vegas Strip, this interior photograph by Richard Heeps part of his Dream i...

Part of Richard Heeps 'Dream in Colour' Series, this cool Palm Springs interiors picture featuring a vintage telephone on a nightstand combines gorgeous colours and dreamy nostalgic ...

Captured when documenting the Preston Hall Museum, this atmospheric piece beautifully captures the nostalgic feeling of a record collection, the added detail of 'His Master's Voice' ...

Robert Indiana American, 1928–2018 Love Is God Edition: 12/50 Silkscreen in 18 colors on 2-Ply Museum Board Size: 32 × 32 in 81.3 × 81.3 cm Signature: Hand-signed & numbered in penc...

Homage Giancarlo Impiglia, Italian/American (1940) Date: 1984 Screenprint, signed and numbered in pencil Edition of 161/250 Size: 31.5 x 21.5 in. (80.01 x 54.61 cm) Frame Size: 40 x ...

Patrick Hughes (b.1939) Jazz 2016 hand painted multiple with archival inkjet 43.5 x 91.5 x 18.5 cm edition of 50 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct f...

An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...

Untitled Woodcut print Sight: 16 x 29 1/2 in. Framed: 23 x 36 1/2 in.

This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...

Scribe and Personal Assistant to the Shogun - Japanese Woodblock Print on Paper Detailed woodblock print by an unknown artist, In the style of Suzuki Harunobu. There are two women i...

A satirical lithograph by Honoré Daumier (1808-1879) entitled "Un Triomphe de Botaniste" (Triumph of the Botanist), which depicts a proud and nervous botanist in glasses and a wide brimmed hat awaiting the critique of a snobby critic, who is smelling his blooming flowers. The French text beneath the image roughly translates: "Here, sir, sniff me that ... here is a rose of which I am proud, it blooms for the first time .... and by dint of patience, I managed to make it acquire the smell of rhubarb! .. I must be quoted in the next Journal of Useful Knowledge" or "Look at this, sir, go ahead, smell it ... I am proud of this particularly pink flower ... it's flourishing for the first time ... with patience, and care I was able to give it an odor of rhubarb! .. . Surely I should be mentioned in the next edition of the Journal of Useful knowledge". The lithograph was published in the famous and very popular French satirical...

This artwork "Two Lovers" c.1990 is an original color serigraph by noted French artist Linda Le Kinff, born 1949. It is hand signed and numbered 40/300 in ...

Stanley in a basket, October 1986, 1986 David Hockney Homemade print executed on an office colour copy machine on rag Arches paper Signed, dated and numb...

Limited edition aquatint. Signed, titled and dated (1984) to the lower margin. Editioned 35/40. Presented in a wide card mount and silver gilt frame. On paper.

Original stipple engraving on laid. Presented behind glass in a contemporary wooden frame with a Sebastian D'orsai label on the verso.

Stencil The work signed in the plate 35.00 cm. x 24.00 cm. 13.78 in. x 9.45 in. (image) 52.50 cm. x 41.50 cm. 20.67 in. x 16.34 in. (frame) LCD5579

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

Artist: Henry Moore (British, 1898-1986) Title: Girls Seated at Desk IX Year: 1974 Medium: Color lithograph Edition: Numbered 40/50 in pencil Paper: Wove Paper size: 20.25 x...