2010s Interior Prints

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large format and framed in simpl...

Banksy, Banksquiat (Grey), 2019 Screenprint on grey card, hand-signed in white crayon 70 x 75 cm (27.6 x 29.5 in) Edition 52 of 300 Mint condition, accompanied with a COA from Pes...

A hand painted three dimensional, Reverspective print, inspired by his own popart & books laid out in the studio. Produced in 2023. This print comes housed in a bespoke perspex displ...

A Bigger Splash By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his vivid us...

Robert Longo, Untitled (Eric, from Men in the Cities), 2025 11 colour silkscreen on 410gsm Somerset Tub Sized Satin Radiant White paper with matte varnish seal Hand-signed and num...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Danielle Mckinney Sandman, 2025 Archival pigment print on 330gsm Somerset Enhanced Satin 100% Cotton paper. 20 × 15 47/50 in 50.8 × 40.5 cm Edition of 1176 Danielle McKinney (b. 19...

Artist: Itzchak Tarkay (1935-2012) Title: Chit Chat Year: 2010 Medium: Silkscreen on wove paper Size: 11.75 x 8.5 inches Edition: 178/750, plus 100 Remarques Condition: Excellent Ins...

Dr Seuss THEODOR GEISEL "THE CAT'S DEBUT - DIPTYCH" Limited Edition - Serigraph on Coventry Paper Authorized Estate Edition Edition Size: 850 Arabic Numbers 99 Patrons’ Collection 15...

Bell Tower In Stockholm, 2013 Giclée print in colours on 350gsm Hahnemühle Museum Etching paper. signed and numbered in pencil Edition of 295 printed by GTZ Fine Art Editions, New York, published by Washington Green...

Contemporary Modern Print on Canvas with Venice city. "Memories about Venice." The print will be shipped in on stretched and ready to hang. Limited Edition collection of 50, in coope...

Dr Seuss THEODOR GEISEL "THE CAT'S DEBUT - RIGHT" Limited Edition - Serigraph on Coventry Paper Authorized Estate Edition Edition Size: 850 Arabic Numbers 99 Patrons’ Collection 155 Collaborators’ Proofs 5 Hors d’ Commerce...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

Rebecca Skinner’s “Hidden Staircase” is a black and white photo of a decaying stairwell with peeling paint and ornate wrought-iron railings. The...

Rebecca Skinner’s “Grande Hall” portrays intricate classical architecture, high ornate ceilings, arched doorways, and a striking green-carpeted staircase, evoking historic elegance. ...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

Rebecca Skinner’s “Looking Up” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron st...

Edition 19/50

Rebecca Skinner’s “Dancing Chair” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 18 x 12 inch color photo with...

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

American artist Mark Ryden has been a champion of the Pop Surrealist aesthetic for decades, and with that he’s established a massive catalog of works that continue to be cherished to...

The Third Eye Open letterpress incorporates the portrait I originally made for my Make Art Not War print back during the Iraq War. This print image also includes a third eye blooming like a flower, I believe that what the third eye represents: a dialogue with one’s inner self, higher consciousness...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. Comes with C.O.A. from New Union Gallery. "I’ve been a fan of Andy Warhol’s ...

Rebecca Skinner’s “Succession” was photographed at an abandoned hospital and is part of her “Forgotten” series raising mental health awareness. Seemingly endless doorways open to sof...

Ladies, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical o...

Summer House is a limited edition 5-layer silkscreen print that blends contemporary figuration with playful surrealism. Printed on luxurious Fabriano Rosaspina Ivory paper (104lbs), ...

Jonas Wood Large Shelf Still Life, 2017 Offset lithograph in colors on smooth wove paper 23 × 23 in 58.42 × 58.42 cm Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...

MASSIMO LISTRI Kunsthistoriches Museum III, Wien, Austria, 2014 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Fra...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

Mark Drew, War Goin’ On (Mobb Deep), 2017 Silkscreen in colours on dimpled cream paper 29.8 x 41.9 cm (11.34 x 16 1/2 in) Edition 90 of 100 Signed to lower margin This work come...

Made in London by Mychael Barratt [2022] Signed by the artist Silkscreen on 410 gsm paper Edition number of 100 Image size: H:66 cm x W:100 cm Complete...

Title: Golf Players - Limited Edition Textured Canvas Print Immerse yourself in the world of golf with "Golf Players," a limited edition textured canvas print that celebrates the spirit of the sport. This captivating artwork captures the essence of golfing moments...

Taken in Ho Chi Minh City this luxurious mid-century private movie theatre has a stunning colour palette. The symmetry, style and interior design give it that 'accidentally Wes Ande...

MASSIMO LISTRI Reggia di Caserta VII, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options a...

Giacomo da Prato Faraglioni, Capri, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Chaos Mandala 2 is a new colorway of my original screenprint Chaos Mandala. This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been ...

Rebecca Skinner’s “Sanctum” was photographed in an abandoned monastery. The 24 x 16 inch black and white photo is of a staircase and stained glass window in a state of decay. The ima...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

London Bestiary by Mychael Barratt Limited Edition Etching: Edition of 100 Image Size: H 66m x W 99.7cm Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm Signed and titled Sold ...

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

This art print by Laurent Durieux is a rare find for any Halloween enthusiast. Signed by the artist and numbered out of 500, this print is an original piece produced using screen pr...

Rebecca Skinner’s “Burned Out” is a 20 x 30 inch black and white image of an abandoned theater with decayed, empty seats and a deteriorating ceiling, symbolizing forgotten history an...

ABOUT THIS PIECE: Ludwig continues his exploration of his favorite city, Paris with a new series featuring stunning Parisian pools. These public and private spaces display the beauti...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Rebecca Skinner’s “Stair Detail” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. The 20 x 30 inch photo with satin fini...

Rebecca Skinner’s “Industrial Interior” was photographed at an abandoned steel factory and is part of a series documenting the loss of industry in America. Rust-covered industrial ma...

MASSIMO LISTRI Castello di Friedstein a Gotha, Germany, 1999 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framin...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Joanna Irvin Greenwich Window 1 Etching A/P Image: 15 x 10 Mount 27.0 x 22.0 cm Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...

Albrecht Fuchs Straker Giclée on paper Year: 2018 Signed by hand and inscribed Edition: e.a. Size: 14.6 × 19.5 on 23.8 × 18.3 inches COA provided Albrecht Fuchs, born in 1964 in Bie...

MASSIMO LISTRI Palazzo Reale I, Amsterdam, 1991 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options ava...

MASSIMO LISTRI Trinity College Library, Dublin, Ireland, 2012 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and ...

I've made a few Paint it Black themed images and this letterpress print was made especially for my New Clear Power show at AMUSEUM in Munich, Germany. Unfortunately, the topic r...

MASSIMO LISTRI Massimo Listri - Rijksmuseum Library, Amsterdam, 1994 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Rebecca Skinner’s “West Hallway” is a 24 x 16 inch contemporary color photograph of a faded blue door ajar in a dim, decaying hallway with peeling walls and muted lighting, evoking t...