2010s Interior Prints

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Guy Gee, Jamaica Each artwork by Gee has been digitally reimagined from an original postage stamp. Printed on 350gsm G. F. Smith card, cut out and finished by hand, the artwork is t...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Maria Rivans, Eve Giclee with Gold Foil, Iridescent Lilac and Varnish on Somerset paper 87 x 121 cm (34.25 x 47.63 in) Hand-signed by the Artist Comes with Certificate of Authent...

Richard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal Boldly signed in black marker on t...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

Hergé (1907-1983) Red Rackham's Treasure (Le Trésor de Rackham le Rouge), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and auth...

Hergé (1907-1983) The Secret Of The Unicorn (Le secret de la Licorne), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authori...

Mark Drew, War Goin’ On (Mobb Deep), 2017 Silkscreen in colours on dimpled cream paper 29.8 x 41.9 cm (11.34 x 16 1/2 in) Edition 90 of 100 Signed to lower margin This work come...

Damien Hirst, Forgotten Promises (Inachis), 2011 Lithograph print on paper 70.7 x 100 cm (27 7/8 x 39 3/8 in) Rare original exhibition poster in excellent with very light signs ...

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

Guy Gee, Corfu Each artwork by Gee has been digitally reimagined from an original postage stamp. Printed on 350gsm G. F. Smith card, cut out and finished by hand, the artwork is the...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

2021, 110x80 cm

Maria Rivans, Tarzania Giclee and Screenprint with Diamond Dust, Iridescent Pearl and Spot Varnish on Somerset Velvet with torn edges 66.5 x 90 cm (26.18 x 35.43 in) Hand-signed b...

Hergé (1907-1983) The Black Island (L'Ile Noire), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authorized edition of the He...

Joe Webb, End Game, 2022 UV print with screen print glitter varnish on Somerset Enhanced V 410gsm paper 60 x 100 cm (23.62 x 39.37 in) Hand-signed by the artist and accompanied wi...

Rebecca Skinner’s “Daydream” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photo with sati...

Cool, stylish and gorgeous colours in this stunning "Accidentally Wes Anderson" style interiors shot. This vintage movie theatre is perfect mid-c...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Hergé (1907-1983) Destination Moon (Objectif Lune), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authorized edition of the ...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

London Bestiary by Mychael Barratt Limited Edition Etching: Edition of 100 Image Size: H 66m x W 99.7cm Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm Signed and titled Sold ...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

Chaos Mandala 2 is a new colorway of my original screenprint Chaos Mandala. This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been ...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. Comes with C.O.A. from New Union Gallery. "I’ve been a fan of Andy Warhol’s ...

2021, 110x88 cm

Third in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy ripples is a CMYK screen print with beautiful spot layer for the simple pool ripples...

Rebecca Skinner’s “Sanctum” was photographed in an abandoned monastery. The 24 x 16 inch black and white photo is of a staircase and stained glass window in a state of decay. The ima...

Joanna Irvin Greenwich Window 1 Etching A/P Image: 15 x 10 Mount 27.0 x 22.0 cm Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Banksy, GDP Flower Thrower, 2019 One colour screenprint on 50 gsm paper Unframed: 57.5 x 76.5 cm (22.63 x 30.11 in) Framed: 78.5 x 97.5 cm (30.91 x 38.39 in) Limited Edition (Unkn...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

This artwork is part of a project called "In Portugal", which consists of a selection of photographs taken in public sites throughout the Iberian country. Typical of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters. Deutsche Oper am Rhein Düsseldorf - Contemporary, 21st Century, C Print, Limited Edition...

MASSIMO LISTRI Sammezanno VIII, Tuscany, 2005 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x 71 inches 225 x 180 cm Edition of 5 UNFRAM...

Peter Blake I Love You, 2010 Screenprint in colours with gold and silver leaf on wove paper Framed 136.5 x 42 cm Edition of 175 hand-signed and numbered by the artist published by CC...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

The Third Eye Open letterpress incorporates the portrait I originally made for my Make Art Not War print back during the Iraq War. This print image also includes a third eye blooming like a flower, I believe that what the third eye represents: a dialogue with one’s inner self, higher consciousness...

Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...

Limited edition print of the original ‘Gold Finger’ Quality Street Toffee Finger image by Simon Dry. The first print onto Fabriano paper is over painted in white by Simon and then over printed again to create a uniquely textured hand finished surface. Each print becomes a richly coloured and individual piece of art in a limited edition of 50, signed and numbered by the artist.​ Simon Dry original art and prints available online and in the gallery. Simon Dry trained as a graphic designer, graduating with a BA (Hons) from Ravensbourne College of Art & Design. He has run Drydesign in London, Dublin and Suffolk, using skills learned in this time to create SweetArt along with his wife, Vic. Artist Simon Dry has created highly original art of much loved sweets, made solely from discarded Quality Street wrappers. These iconic artworks feature Dolly Mixture, Fab ice lolly...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch acid-free, archival, color p...

Teatro Degollado Guadalajara III - Contemporary, 21st Century, C Print, Limited Edition, Photography, Red, Interiors, Art 38 x 47 cm (15 x 18.5 in.) Edition of 100 Signed and numbered and accompanied by Certificate of Authenticity In mint condition, in the original packaging as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons, the work is offered unframed. Candida Höfer is known for her images of empty interiors of libraries, museums, palaces and theatres, focusing on the cultural spaces free from human presence. Part of the artist’s latest exhibition at Sean Kelly Gallery, Candida Höfer in Mexico, Teatro Degollado Guadalajara III expands her signature attention to Mexican Baroque...

Rebecca Skinner’s “Disarray” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white phot...

Close Finish is an original linocut print on paper by John Scott Martin. Having cut a series of lino blocks, I prepare collage backgrounds. I handprint onto the collages, which are m...

Massimo Listri Libraries Biblioteca St. Emmeram II (Library), Regensburg, Germany, 2016 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5...

Champagne City, Aqua Blue Thames Clare Halifax Signed by the artist Limited edition of 10 Image size: H:48 cm x W:48 cm Paper size: H:56 cm x W:56 cm x D:0.1 cm Please note that insitus are purely an indication of how a piece may look. Champagne City, Aqua Blue Thames is a limited edition cityscape print by Clare Halifax. Champagne City, Aqua Blue Thames features hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print with hand finished gilding is printed by the artist and shows the view of the thames from sky garden, edition of 10, printed onto somerset satin 300gms with deckle edge. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Year: 2015 Class: Art Print Status: Official Run: 3/200 Technique: Letterpress Size: 10 X 13