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Rembrandt van Rijn
The Virgin And Child With The Cat And The Snake By Rembrandt Van Rijn

circa 1654

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Jan Uytenbogaert, Preacher of the Remonstrants by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Jan Uytenbogaert, Preacher of the Remonstrants New Hollstein Dutch and Flemish (Rembrandt) 153, state 4/9 Bartsch 279, state 4/6 Printed by Remb...
Category

17th Century Old Masters Figurative Prints

Materials

Paper, Etching

Naked Woman on a Mound by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Naked Woman on a Mound Etching on paper Etched by Rembrandt New Hollstein 88, second state of II; Bartsch, Hollstein 198; Hind 43 One of the gr...
Category

17th Century Old Masters Figurative Prints

Materials

Etching

The Penance of St. Chrysostom by Albrecht Dürer
By Albrecht Dürer
Located in New Orleans, LA
Albrecht Dürer 1471-1528 German The Penance of St. Chrysostom Monogrammed in the plate lower center "AD" Copper engraving on laid paper “Whatever was mortal in Albrecht Dürer li...
Category

15th Century and Earlier Old Masters More Art

Materials

Copper

Jan Cornelis Sylvius, Preacher by Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606–1669 Dutch Jan Cornelis Sylvius, Preacher New Hollstein Dutch and Flemish (Rembrandt) 235, state 2/2 Bartsch 280 Printed by Rembrandt Signed and dated "Rem...
Category

17th Century Old Masters Portrait Drawings and Watercolors

Materials

Paper, Etching

Woman Bathing Her Feet in a Brook by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...
Category

17th Century Old Masters Figurative Drawings and Watercolors

Materials

Etching, Paper

Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
By Lucas Cranach the Elder
Located in New Orleans, LA
Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
Category

16th Century Old Masters Figurative Paintings

Materials

Oil, Panel

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Farmers enjoying a barn dance with a violinist and a bagpiper.
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Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
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