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Reynold Weidenaar
Darkness and Light

1952

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Black Circle 4, by Guntars Sietins
By Guntars Sietins
Located in Palm Springs, CA
Signed and numbered from the edition of 20. Completed to accompany the exhibition of his work 'Squaring the Circle', at the Latvian National Museum of Art, Riga in 2017. The illusi...
Category

2010s Surrealist Interior Prints

Materials

Mezzotint, Aquatint

Garden With Henry, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving          Image Size: 9.5 x 12 inches Year: 1993 Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category

Early 2000s Contemporary Interior Prints

Materials

Engraving, Etching

Europa, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...
Category

1980s Contemporary Interior Prints

Materials

Engraving, Etching

San Marco #2
By Mario Teleri Biason
Located in Palm Springs, CA
Signed and numbered by the artist, unique etching with hand coloring. This is based on one section of the larger work, the artist book/wall hanging "endless". "This print is ded...
Category

Early 2000s Contemporary Abstract Prints

Materials

Etching

Venezia
By Edo Janich
Located in Palm Springs, CA
An evocative view of the Church of Santa Maria della Salute, Venice. The image is framed by the stone window and geometric pattern of iron over the window. Signed and numbered from the edition of 100. Engraver, sculptor and painter, Edo Janich...
Category

1970s Contemporary Interior Prints

Materials

Etching, Aquatint

Venezia
$150 Sale Price
25% Off
Succulent
By Yuji Hiratsuka
Located in Palm Springs, CA
Signed and numbered from the edition of 10. Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in printmaking at New Mexi...
Category

2010s Contemporary Interior Prints

Materials

Intaglio

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Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category

1920s American Realist Figurative Prints

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Drypoint

"Still Life with Door", Monochrome Cyan Drypoint Etching
By Barbara B. Cohn
Located in Soquel, CA
Limited edition monochrome cyan drypoint etching of a potted plant and door by Barbara Cohn (American, 1923-2019). Numbered ("2/25"), titled ("Still Life with Door"), and hand signed...
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1980s American Realist Still-life Prints

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Paper, Ink, Drypoint

Shaker Stove.
By Armin Landeck
Located in New York, NY
Armin Landeck created this drypoint in 1938 in an edition of 100. The image size is 7 13/16 x 5 7/8" and paper size 14 x 12". This piece is signed and dated in pencil in ...
Category

1930s American Realist Interior Prints

Materials

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Studio Interior #2.
By Armin Landeck
Located in New York, NY
Armin Landeck made this drypoint in 1936 in an edition of 100. Signed in pencil just under the image in the lower right and inscribed "Ed 100" in the lower left. This pri...
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Mid-20th Century American Realist Interior Prints

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Profils Horizontaux (20 men seated in a church, a hall, union or political?)
By Maurice Pasternak
Located in New Orleans, LA
Viewers are always curious about this image. I count 20 people seated -- all men. Why? Three of the men are looking over their shoulders toward the back. Are they impatient to see late arrivers? The seating seems to be pew like. Pasternak, like most artists, wants the viewer to bring their own interpretation to the image and is most circumspect to give an explanation. A church, a union hall, a political meeting -- which is it? The mood seems to be one of anxiety rather than celebration. The artist did answer why all men. He says that "he likes to create the tension of the image on the page. Putting women and men together...
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Late 20th Century Surrealist Figurative Prints

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Mezzotint

Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category

Late 18th Century Old Masters Portrait Prints

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Mezzotint

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