"Attendants, Bears, and Rocks"
View Similar Items
Brice Marden"Attendants, Bears, and Rocks"2002
2002
About the Item
- Creator:Brice Marden (1938, American)
- Creation Year:2002
- Dimensions:Height: 17 in (43.18 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Additional images available upon request.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU116824580832
Brice Marden
Acclaimed American artist Brice Marden worked for decades in abstract mode, creating lush, monochromatic multiple-panel paintings and notebooks full of mesmerizing drawings that are imbued with the lyricism of calligraphy. He was deemed a master of minimalism.
“Ultimately, I’m using the painting as a sounding board for the spirit,” Marden once said. “You can be painting and go into a place where thought stops — where you can just be and it just comes out.”
Marden received his BFA from Boston University College of Fine Arts in 1961 and his MFA from Yale University’s School of Art in 1963. Afterward, the Bronxville, New York, native moved back to New York City. There, he was exposed to the work of Jasper Johns while he was working as a guard at the Jewish Museum and later Robert Rauschenberg’s art when he became Rauschenberg’s studio assistant.
Apart from these iconic artists and the Abstract Expressionist movement, Marden’s inspirations were numerous and broad-ranging: trips to the Hydra islands in Greece beginning in the early 1970s (he kept a home there), Baroque masters like Francisco Goya and Chinese stone carvings from the late eighth century. Each of these influences yielded a milestone in Marden’s career, whether he created a revered series of paintings or incorporated a new technique or approach in a practice that had been otherwise evolving for years.
Marden is also known for having experimented with the tools he used to paint his networks of colorful, rhythmic lines. Sometimes he replaced brushes with sticks, dipping their ends in ink and making art that references Chinese calligraphy. In his early days, Marden was also known to paint with kitchen spatulas. His dedication to gesture and line was at the heart of his practice.
Marden’s work can be found in the collections of the Tate Britain, the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and other institutions.
Find a collection of authentic Brice Marden prints and other art on 1stDibs.
- "Attendants, Bears, and Rocks"By Brice MardenLocated in New York, NYBrice Marden "Attendants, Bears, and Rocks" Matthew Marks Gallery, New York, 2002 Exhibition poster 17 x 22 inches Signed recto Exhibition poster for "Attendants, Bears, and Rocks" ...Category
Early 2000s Contemporary Abstract Prints
MaterialsOffset
- The Knife/Ship IIBy Claes OldenburgLocated in New York, NYClaes Oldenburg and Coosje van Bruggen "The Knife/Ship II" Museum of Contemporary Art, Los Angeles, 1988 Exhibition Poster 25 1/4 x 32 1/2 inches Si...Category
1980s Contemporary Abstract Prints
MaterialsOffset
- "Drawings 1970-80 (Cicada)" Exhibition PosterBy (After) Jasper JohnsLocated in New York, NY"Drawings 1970-80 (Cicada)" Margo Leavin Gallery, Los Angeles, 1981 Exhibition Poster 30.5 x 22.5 inches UnsignedCategory
1980s Contemporary Abstract Prints
MaterialsOffset
- UntitledLocated in New York, NYKelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...Category
Early 2000s Contemporary Abstract Prints
MaterialsOffset
$150 - "Process: An Exhibition and Sale of International Prints"By James RosenquistLocated in New York, NYJames Rosenquist "Process: An Exhibition and Sale of International Prints" Sponsored by the Women's Committee to the Art Gallery & The London Public Library and Art Museum, London, O...Category
1970s Contemporary Abstract Prints
MaterialsOffset
- "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen"By Claes OldenburgLocated in New York, NYClaes Oldenburg and Coosje van Bruggen "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen", 1982 Poster 33 x 23 inches Signed Poster by Cla...Category
1980s Contemporary Abstract Prints
MaterialsOffset
- Silence, For John Cage (Hand Signed by Richard Serra) poster, 29" Ih) x 39" (w)By Richard SerraLocated in New York, NYRichard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal (ships rolled measureing 36 inches...Category
2010s Contemporary Abstract Prints
MaterialsOffset, Permanent Marker, Lithograph
- Limited Edition Gagosian Gallery Exhibition Poster (Hand Signed by Jonas Wood)By Jonas WoodLocated in New York, NYJonas Wood Prints (Hand signed), 2018 Offset lithograph poster. Hand signed and dated with basketball flourish. 30 × 24 inches Edition of approx. 100 ...Category
2010s Contemporary Abstract Prints
MaterialsOffset
- Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic)By Marina AbramovicLocated in New York, NYMarina Abramović Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic), 2014 Offset lithograph on invitation card (hand signed and inscribed by the artist) Signed on the front LOVE, Marina Abramovic with "x's" on the vertical beams in the image 5 × 7 inches Unframed This is an invitation card for Marina Abramovic's exhibition "Generator" at Sean Kelly...Category
2010s Contemporary Abstract Prints
MaterialsLithograph, Offset
- Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor)By Anish KapoorLocated in New York, NYAnish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...Category
1990s Contemporary Interior Prints
MaterialsLithograph, Offset
- Paul Noble - Playframe, Contemporary Art, British Art, Signed PrintLocated in Hamburg, DEPaul Noble (British, b. 1963) Playframe, 2000 Medium: Offset lithograph on paper DImensions: 26 × 21 cm (10 1/5 × 8 3/10 in) Edition of 100: Hand signed and numbered Condition: Excel...Category
21st Century and Contemporary Contemporary Interior Prints
MaterialsOffset
- Christo, Iron Curtain – Wall of Barrels: Signed Print from 1968By ChristoLocated in Hamburg, DEChristo (American-Bulgarian, b. 1935) Iron Curtain – Wall of Barrels, Rue Visconti Paris, June 1962, 1968 Medium: Color offset on cardboard Dimensions: 70 x 54 cm Edition of 100: Han...Category
20th Century Contemporary Interior Prints
MaterialsOffset