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Victor VasarelyVictor Vasarely "Ter UR 1989" Screenprint, Signed & numbered1980
1980
$2,999
£2,281.55
€2,667.83
CA$4,194.23
A$4,711.75
CHF 2,507.54
MX$58,262.56
NOK 30,554.63
SEK 29,541.94
DKK 19,899.53
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About the Item
Artist: Victor Vasarely, Hungarian (1908 - 1997)
Title: Ter-Ur
Year: circa 1980
Medium: Screenprint, signed and numbered in pencil
Edition: From the edition of 250
Image Size: 24.5 x 24.5 inches
Size: 31 x 31 in. (78.74 x 78.74 cm)
THE ARTWORK IS IN EXCELLENT CONDITION
VICTOR VASARELY (1908-1997) Internationally recognized as one of the most important artists of the 20th century. He is the acknowledged leader of the Op Art movement, and his innovations in color and optical illusion have had a strong influence on many modern artists. Vasarely devoted himself to his lifelong fascination with linear patterning, which led him to draw figurative and abstract patterned subjects, and multi-dimensional works of art by super-imposing patterned layers on one another to attain the illusion of depth.
- Creator:Victor Vasarely (1906 - 1997, French, Hungarian)
- Creation Year:1980
- Dimensions:Height: 31 in (78.74 cm)Width: 31 in (78.74 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:Kinetic
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Pembroke Pines, FL
- Reference Number:1stDibs: LU2382214793702
Victor Vasarely
Widely considered the grandfather of Op art, the French-Hungarian painter Victor Vasarely (1906–97) created eye-popping geometric abstractions that play with the viewer’s perception of depth, perspective and motion. A classic example is the 1937 Zebra, which consists of undulating black and white stripes that suggest the form of the titular animal through optical trickery. The work is often credited as the earliest Op art painting.
Such illusions were more than pleasing tricks for Vasarely, who insisted that “pure form and pure color can signify the world.” He wanted to “democratize” art by producing works in large editions at reasonable prices that were understandable across national and cultural boundaries. In the 1960s, he developed an alphabet plastique, or fine art alphabet, consisting of elementary visual building blocks that could be used in endless combinations to create original compositions. By employing this universal visual vocabulary and stripping away topical references, he sought to create what he called a “Planetary Folklore.”
Embodying Vasarely’s singular belief that art should serve a social function, accessible to all, these innovations may perhaps be his greatest contribution to 20th-century art.
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Title: Profound Works I
Year: 1973
Not signed or numbered, as published
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Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
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