Jim Dine

SIGNED vintage Jim Dine Complete Graphics Galerie Mikro 1970 rainbow poster

1970

Kitaj’s drawing is of a fisherman in profile, wearing a sou’wester: a collapsible rain hat. The image is a wry portrait, ostensibly of Albert Blake Dick, ...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

Girl on Gold is a limited edition lithograph, based on an oil painting by Charlie Mackesy. The edition is limited to 120 and have been signed by Mackesy in Pencil. The elegance and femininity depicted in this image captures a feminine nature and emits beauty in the human form and a warmth with its golden hues. "I am cautious to explain what I think the work is saying for fear of taking away from you something you have seen and I have not. I could conclude by saying that life is precious and faith is a journey and sometimes art can give a small glimpse of these moments seen, and unseen. I think GK...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

Nelson Mandela, Impressions of Africa (black and white), Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of ...

Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey