Jim Dine

"Two Hearts at Sunset" by Jim Dine, 2005

2005

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Jim Dine (b. 1935) "Five Paintbrushes (3rd State)" Etching with drypoint, mezzotint and aquatint on Copperplate Deluxe paper, 1973 20-1/2 x 27-1/4 inches (52.1 x 69.2 cm) (image) Ed. 18/28 Signed, numbered, and dated in pencil along lower edge Published by Petersburg Press, Inc., New York Printed by Alan Uglow...

Untitled III Marisol Escobar French/Venezuelan (1930–2016) Date: 1979 Lithograph, signed and numbered in pencil Edition of AP 12/15 Size: 41 in. x 29 in. (104.14 cm x 73.66 cm) Fra...

Hand signed and numbered 62/75 Frame: 38" X 46" Image: 22" X 30" Juan Sebastián Barberá Durón Plastic artist Cd. de México 1964 Son of the great musical artist Luisa Durón, Mexican harpsichordist, daughter of pianists Jesús Durón Ruiz and Julia Crespo considered a pioneer of the movement and musical flourishing of the Renaissance and Baroque periods and the initiator of the harpsichord school in Mexico .he grew up in an almost Renaissance environment, among artists and under the main protection of the baroque music of Bach and Hotteterre, Couperin and Scarlatti , among others. Since a very young age, he had a great talent for drawing, painting and sculpture and at the age of ten he won the National School contest of art. From there on, he studied painting and engraving with significant teachers, and was dedicated in a very clear way to the plastic arts from the age of 17 years, after a mystical trip to India. He continued his studies at the academy of San Carlos...