Joan Miró

1965 Joan Miro 'Derriere le Miroir" #151/152

1965

Paper Size: 27 x 19 inches ( 68.58 x 48.26 cm ) Image Size: 26 x 18 inches ( 66.04 x 45.72 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 12 x 8 inches ( 30.48 x 20.32 cm ) Image Size: 9.5 x 7 inches ( 24.13 x 17.78 cm ) Very Good Condition, with signs of handling or age. First Edition. This was publishe...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Ship...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 12 x 7.75 inches ( 30.48 x 19.685 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental Cond...

Paper Size: 31 x 22.5 inches ( 78.74 x 57.15 cm ) Image Size: 31 x 22.5 inches ( 78.74 x 57.15 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Paper Size: 12 x 9.5 inches ( 30.48 x 24.13 cm ) Image Size: 12 x 9.5 inches ( 30.48 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Artist's proof. Hand signed and dated. Excellent conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an art...

Old Ruins In Rome is an original lithograph realized by Anonymous artist in 1849. The print is taken from the daguerreotype of that period and shows the ruins caused by the disaster of the war in Rome. The artwork shows some of the most important buildings and monument of that period, such as Palazzo del Vascello and Palazzo dei Quattro Venti...

Kees van Dongen - Les Cheveux Courts, 1th state, 1924 Edition of only 30 copies on Arches paper. Signed in the stone and with the artist signature stamp. Numbered 23/30 in pencil. Pu...

Onorevole Romano detto il Tribuno is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XX (as written on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of an italian politician (l'Onorevole Romano) of the end of the XIX century. On the back, his biography. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...

Parody of the Orestes is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XIV (as printed on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of Italian journalitsts of the end of the XIX century. On the back, their biographies. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...

Vol. In-Folio 45,2x34,2 cm., 205 pp. Edition of 220 copies including a xylographic vignette, 14 xylographic illustrations (on heads and footers of chapters) and 22 original lithograp...