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Joan Miró1973 Joan Miro 'Derriere le Miroir, no. 203" Lithograph1973
1973
About the Item
This original double-page lithograph by Joan Miró is featured on pages 10-11 of Derrière le Miroir No. 203, published in 1973. The lithograph includes a visible fold line down the center, as issued, preserving the integrity and original format of the publication. Published by Maeght Editeur in Paris, this piece is a striking example of Miró's dynamic and imaginative style.
Published by Maeght Editeur, a renowned name in art publishing, this lithograph is part of the prestigious Derrière le Miroir series. The magazine, often abbreviated as DLM, provided a platform for contemporary artists to showcase their works through original prints, accompanied by critical essays and artist statements. The collaboration between Miró and Maeght Editeur resulted in high-quality, collectible works that continue to be celebrated.
Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm )
Image Size: 15 x 22 inches ( 38.1 x 55.88 cm )
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- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1973
- Dimensions:Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Items are carefully stored and inspected before shipping. Feel free to request additional photos or ask any questions about their condition—we’re happy to assist!
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: XX55731stDibs: LU129418158212
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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